Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge's 'Giselle / Act 2: No. 14 Scène des Wilis (Entrée d'Hilarion)' came out on 1987. Giselle / Act 2: No. 14 Scène des Wilis (Entrée d'Hilarion) is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. The song is number 7 out of 34 in Adam: Giselle by Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge. In terms of popularity, Giselle / Act 2: No. 14 Scène des Wilis (Entrée d'Hilarion) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Giselle / Act 2: No. 14 Scène des Wilis (Entrée d'Hilarion) by Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Sylphides: 3. Valse | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | G Major | 3 | 9B | 110 BPM | ||
La Gazza Ladra - La Urraca Ladrona Obertura | Gioachino Rossini, Inma Shara | E Major | 1 | 12B | 138 BPM | ||
Le Corsaire, Act 3: Valse de Naila (for Mlle Grantzow) | Adolphe Adam, English Chamber Orchestra, Richard Bonynge | A♭ Major | 0 | 4B | 73 BPM | ||
Mendelssohn: Symphony No. 4 in A Major, Op. 90, "Italian": III. Con moto moderato | Felix Mendelssohn, Christian Thielemann, Munich Philharmonic Orchestra | E Major | 0 | 12B | 82 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: Introduction | Richard Strauss, Staatskapelle Dresden, Rudolf Kempe | C Major | 2 | 8B | 71 BPM | ||
Drigo: Pas-de-deux du Corsaire: No. 1, Introduction (Moderato assai - Andante) [for Adolphe Adam's ballet] | Riccardo Drigo, London Festival Ballet Orchestra, Terence Kern | A♭ Major | 1 | 4B | 131 BPM | ||
Le carnaval des animaux, R. 125: I. Introduction - II. Poules et Coqs - III. Hémiones | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | C Major | 2 | 8B | 96 BPM | ||
Act III. Neopolitan dance | Moscow New Philharmonic Orchestra, Vladimir Ponkin | D Major | 3 | 10B | 143 BPM | ||
Giselle: Act I: Marche des vignerons (Grape-Pickers' March) | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 2 | 10B | 82 BPM | ||
Pictures At An Exhibition: Gnomus | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 99 BPM |
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