"Tilge, Hochster, meine Sunden, BWV 1083: Wer wird seine Schuld verneinen (Soprano, Alto)" by Johann Sebastian Bach, Emma Kirkby, Daniel Taylor, Theatre of Early Music was released on July 1, 2009. The duration of Tilge, Hochster, meine Sunden, BWV 1083: Wer wird seine Schuld verneinen (Soprano, Alto) is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Tilge, Hochster, meine Sunden, BWV 1083: Wer wird seine Schuld verneinen (Soprano, Alto)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi, A.: Stabat Mater / Pergolesi, G.B.: Salve Regina / Bach, J.S.: Tilge, Hochster, Meine Sunden by Daniel Taylor. The song's track number on the album is #21 out of 30 tracks. Based on our data, Sweden was the country where this track was produced or recorded. Based on our statistics, Tilge, Hochster, meine Sunden, BWV 1083: Wer wird seine Schuld verneinen (Soprano, Alto)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tilge, Hochster, meine Sunden, BWV 1083: Wer wird seine Schuld verneinen (Soprano, Alto) by Johann Sebastian Bach, Emma Kirkby, Daniel Taylor, Theatre of Early Music has a tempo of 141 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Tilge, Hochster, meine Sunden, BWV 1083: Wer wird seine Schuld verneinen (Soprano, Alto) being at 141 BPM, the half-time would be 70 BPM with a double-time of 282 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Viola da gamba Sonata in D Major, BWV 1028 (Arr. for Cello & Piano): I. Adagio | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | D Minor | 4 | 7A | 120 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM |
Section: 0.6736123561859131
End: 0.6779000759124756