"Gualtier maldè… Caro nome (from Rigoletto)" by Dame Joan Sutherland, Francesco Molinari-Pradelli, Orchestra of the Royal Opera House, Covent Garden was released on August 16, 2011. Gualtier maldè… Caro nome (from Rigoletto) is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. The track order of this song in Dame Joan Sutherland's "Joan Sutherland "La Stupenda"" album is number 2 out of 10. Gualtier maldè… Caro nome (from Rigoletto) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gualtier maldè… Caro nome (from Rigoletto) by Dame Joan Sutherland, Francesco Molinari-Pradelli, Orchestra of the Royal Opera House, Covent Garden to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Samson, HWV 57: Let the bright seraphim | George Frideric Handel, Dame Joan Sutherland | E Major | 1 | 12B | 175 BPM | ||
Semiramide | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | A Major | 2 | 11B | 88 BPM | ||
Rigoletto - Bella Figlia Dell'Amore | Luciano Pavarotti, Adriana Lazzarini, Piero Cappuccilli, Margherita Rinaldi | D♭ Major | 2 | 3B | 61 BPM | ||
Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" | Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | C Major | 3 | 8B | 148 BPM | ||
La fille du régiment / Act 2: Ah!, c'est elle! | Gaetano Donizetti, Monica Sinclair, Joan Sutherland, Luciano Pavarotti, Spiro Malas, Jules Bruyere, Edith Coates, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | B♭ Major | 2 | 6B | 91 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Dame Joan Sutherland, Ambrosian Light Opera Chorus, New Philharmonia Orchestra, Richard Bonynge | F♯ Major | 2 | 2B | 88 BPM | ||
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
Roméo et Juliette: Je veux vivre dans le rêve | Charles Gounod, Anna Moffo, Peter Maag | F Major | 1 | 7B | 74 BPM | ||
Hamlet / Act 4: "A vos jeux, mes amis, permettez-moi" | Ambroise Thomas, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | B Major | 1 | 1B | 91 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM |
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