"Eusebius Revisited (Remembrances Of Schumann) For Double Bass And Piano, Mvt. 6" by Paul Ramsier, Dan Styffe was released on October 20, 2003. The duration of Eusebius Revisited (Remembrances Of Schumann) For Double Bass And Piano, Mvt. 6 is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Eusebius Revisited (Remembrances Of Schumann) For Double Bass And Piano, Mvt. 6's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Revisited". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Norway. Eusebius Revisited (Remembrances Of Schumann) For Double Bass And Piano, Mvt. 6 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eusebius Revisited (Remembrances Of Schumann) For Double Bass And Piano, Mvt. 6 by Paul Ramsier, Dan Styffe having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for Clarinet, Violin and Cello, Op. 93: III. Intermezzo. Andantino | Hans Gál, Kilian Herold, Florian Donderer, Tanja Tetzlaff | F♯ Minor | 0 | 11A | 99 BPM | ||
Sonatina | Morton Feldman, Marilyn Nonken, Stephen Marotto | B♭ Minor | 0 | 3A | 164 BPM | ||
Preludes and Gallantries: Prelude | Johann Sebastian Bach, Paul Ramsier, John Miller | E Minor | 0 | 9A | 100 BPM | ||
Pastorale, Menuet triste et Nocturne: Pastorale | George Enescu, Ralph Evans, Gisele Witkowski, Fabio Witkowski | A Major | 1 | 11B | 153 BPM | ||
Staccato Sonata | Markolyno | D Minor | 0 | 7A | 64 BPM | ||
Mumuki (Arr. for Violin & String Orchestra by Ken Selden) | Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden | F Major | 3 | 7B | 141 BPM | ||
Andantino in the Style of Martini | Fritz Kreisler, Marian Bolt, Kees Hulsmann | F Major | 1 | 7B | 95 BPM | ||
Serenade in C Major, Op. 10: I. Marcia: Allegro | Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay | D♭ Major | 2 | 3B | 123 BPM | ||
Une vie d'amour (Arr. for Cello and Orchestra by Martin Ulikhanyan) | Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra | F Major | 1 | 7B | 85 BPM | ||
Piano Trio in A Minor, Op. 50, TH 117: Tema con variazioni, Variation IX: Andante flebile, ma non tanto | Pyotr Ilyich Tchaikovsky, Geneva Piano Trio | D♭ Minor | 0 | 12A | 99 BPM |
Section: 0.6818861961364746
End: 0.6876707077026367