Fritz Kreisler, Marian Bolt, Kees Hulsmann's 'Andantino in the Style of Martini' had a release date set for November 4, 2016. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Fritz Kreisler, Kees Hulsmann, Marian Bolt's "Kreisler: The Complete Original Works for Violin and Piano" album is number 2 out of 35. In terms of popularity, Andantino in the Style of Martini is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Andantino in the Style of Martini by Fritz Kreisler, Marian Bolt, Kees Hulsmann to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebesfreud | Fritz Kreisler, Joshua Bell, Paul Coker | F Major | 1 | 7B | 99 BPM | ||
Tristan and Isolde. Love Music (After Wagner's "Tristan und Isolde"). Moderately Slow | Franz Waxman, Svetlin Roussev, Yeol Eum Son | A♭ Major | 3 | 4B | 97 BPM | ||
Pelléas et Mélisande Suite, Op. 80: III. Sicilienne | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | D Major | 0 | 10B | 95 BPM | ||
Preludes, Op. 34a: No. 5 (Largo) | Dmitri Shostakovich, Atanas Kareev, Lee Suk-Bin | E♭ Major | 0 | 5B | 91 BPM | ||
36のエチュード, 第8番 | Fedeligo Fiorillo, Masayuki Kino | G Minor | 0 | 6A | 132 BPM | ||
Lyric Pieces, Op. 12: No. 1, Arietta (arr. V. Godar) | Vladimír Godár, Edvard Grieg, Takako Nishizaki, Jenő Jandó | E♭ Major | 2 | 5B | 98 BPM | ||
Piano Quintet in C Major Sz. 23: II. Vivace (Scherzando) | Béla Bartók, Zemlinsky Quartet, Paolo Giacometti | D♭ Major | 1 | 3B | 120 BPM | ||
Invierno Porteño | Dimitri Illarionov, Boris Andrianov | D Minor | 0 | 7A | 87 BPM | ||
Quartet in F Minor, Op. 28: II. Adagio | Luise Adolpha Le Beau, Kaleidoscope Chamber Collective | D Major | 1 | 10B | 80 BPM | ||
ワーグナー: 夕星の歌 | Richard Wagner, 古川展生, 安宅薫 | G Major | 0 | 9B | 80 BPM |