Carlo Innocenzi's 'Escape from the Mill of Stone Women' came out on 1960. With Escape from the Mill of Stone Women being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 12 in the song's album "The Mill of the Stone Women (Original Movie Soundtrack)". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Canada. In terms of popularity, Escape from the Mill of Stone Women is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Escape from the Mill of Stone Women by Carlo Innocenzi having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Piano Sonata No. 11 in A Major, Op. 6 No. 2, K. 331 "Alla Turca": I. Tema con variazioni (Excerpt) | Wolfgang Amadeus Mozart, Andrei Gavrilov | A Major | 0 | 11B | 122 BPM | ||
Brideshead Revisited Theme | Geoffrey Burgon | F Major | 1 | 7B | 147 BPM | ||
Adagio for Strings and Organ in G Minor | Remo Giazotto, Eriko Sato, Edward Brewer, Orpheus Chamber Orchestra | C Minor | 1 | 5A | 172 BPM | ||
Kinderszenen, Op. 15: No. 7, Träumerei (Orchestral Version) | Robert Schumann, Eugene Ormandy | F Major | 0 | 7B | 92 BPM | ||
Piano Concerto No.2 in F, Op.102: 2. Andante | Dmitri Shostakovich, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | C Minor | 0 | 5A | 72 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 95 BPM | ||
Wo die Zitronen blüh'n, Walzer, Op. 364 | Johann Strauss II, Andris Nelsons, Wiener Philharmoniker | G Major | 1 | 9B | 106 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Andrew Davis, BBC Philharmonic, Tasmin Little | E Major | 0 | 12B | 80 BPM | ||
Suite from "The Victorian Kitchen Garden": V. Summer. Flowing | Paul Reade, Michael Collins, Michael McHale | E♭ Major | 0 | 5B | 130 BPM | ||
Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt | Jacques Offenbach, Anna Netrebko, Elina Garanca, PKF – Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir, Lukás Vasilek | F Major | 4 | 7B | 89 BPM |
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