"Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio" by Max Bruch, Joshua Bell, Academy of St. Martin in the Fields was released on June 22, 2018. Since Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 7 in Bruch: Scottish Fantasy, Op. 46 / Violin Concerto No. 1 in G Minor, Op. 26 by Max Bruch, Joshua Bell, Academy of St. Martin in the Fields. In terms of popularity, Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio by Max Bruch, Joshua Bell, Academy of St. Martin in the Fields is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clair de Lune, L.75 (Arr. For Oboe & Orchestra) | Claude Debussy, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | D♭ Major | 2 | 3B | 80 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: I. Allegro | George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown | A Minor | 1 | 8A | 116 BPM | ||
Mozart: Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | A Minor | 0 | 8A | 152 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 75 BPM | ||
Piano Trio No. 39: Piano Trio No. 39: II. Poco adagio | Franz Joseph Haydn, Trio Wanderer | E Major | 0 | 12B | 89 BPM | ||
Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": IV. Largo. Goin' Home (Arr. Koncz For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 94 BPM | ||
A Downland Suite (Arr. for String Orchestra): III. Minuet. Allegretto grazioso | John Ireland, Richard Hickox, City of London Sinfonia | B♭ Major | 1 | 6B | 133 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Ellens Gesang III, Op. 52, No.6, D 839: Ave Maria In B Flat Major (Arr. For Violin And Piano) | Franz Schubert, Anne-Sophie Mutter, Daniil Trifonov | C Major | 1 | 8B | 95 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM |
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