"A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13 - English version: Song with chorus: "You spotted snakes"" by Felix Mendelssohn, Arleen Auger, Ann Murray, Ambrosian Singers, Philharmonia Orchestra, Sir Neville Marriner was released on January 1, 1983. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Felix Mendelssohn, Arleen Auger, Ann Murray, Ambrosian Singers, Philharmonia Orchestra, Sir Neville Marriner's "Mendelssohn: A Midsummer Night's Dream" album is number 4 out of 11. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13 - English version: Song with chorus: "You spotted snakes" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13 - English version: Song with chorus: "You spotted snakes" by Felix Mendelssohn, Arleen Auger, Ann Murray, Ambrosian Singers, Philharmonia Orchestra, Sir Neville Marriner to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: Finale. "Through the House" | Felix Mendelssohn, Otto Klemperer, Heather Harper, The Philharmonia Chorus, Philharmonia Orchestra | E♭ Major | 2 | 5B | 90 BPM | ||
Thaïs / Acte Un: Voici le pain | Jules Massenet, Olivier Schock, Bernard Mansencal, Bruno Moga, Loïc Cassin, José Luis Victoria, Stefano Palatchi, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM | ||
Verdi: Messa da Requiem: III. Tuba mirum | Giuseppe Verdi, Riccardo Muti, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
3 Gymnopedies: III. Lent et Grave | Erik Satie, John Lanchbery, Orchestra of the Royal Opera House, Covent Garden | A Minor | 0 | 8A | 73 BPM | ||
The Destruction Of Sennacherib - Live | Modest Mussorgsky, Berliner Philharmoniker, Claudio Abbado, Prague Philharmonic Chorus | D Major | 2 | 10B | 75 BPM | ||
Peer Gynt, Op. 23 - Incidental Music: No. 23 Solveig sings in the Hut | Edvard Grieg, Barbara Bonney, Gothenburg Symphony Orchestra, Neeme Järvi | B♭ Major | 1 | 6B | 153 BPM | ||
Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" | Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 50 BPM | ||
Gloria, FP 144: 4. Domini Fili Unigenite | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | G Major | 2 | 9B | 113 BPM | ||
Mass in G Major, FP 89: I. Kyrie | Francis Poulenc, Tenebrae, Nigel Short | C Minor | 3 | 5A | 133 BPM | ||
4 Lieder, Op. 27, TrV 170: 1. Ruhe, meine Seele! | Richard Strauss, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | F Major | 0 | 7B | 85 BPM |
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