"3 Gymnopedies: III. Lent et Grave" by Erik Satie, John Lanchbery, Orchestra of the Royal Opera House, Covent Garden was released on October 1, 2016. The duration of 3 Gymnopedies: III. Lent et Grave is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. 3 Gymnopedies: III. Lent et Grave's duration is considered a little bit shorter than the average duration of a typical track. The song is number 26 out of 49 in Classical for Brain Power by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. 3 Gymnopedies: III. Lent et Grave is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 3 Gymnopedies: III. Lent et Grave by Erik Satie, John Lanchbery, Orchestra of the Royal Opera House, Covent Garden is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Heimkehr aus der Fremde (Son and Stranger), Op. 89, MWV L6: Overture | Seattle Symphony Orchestra, Felix Mendelssohn, Gerard Schwarz | A Major | 1 | 11B | 138 BPM | ||
Symphony No. 5 in E-Flat Major, Op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius, Oslo Philharmonic Orchestra, Klaus Mäkelä | C Major | 0 | 8B | 127 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Masques et Bergamasques, suite, Op.112: 1. Ouverture | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 2 | 7B | 69 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Symphonie No. 1 en Ré Majeur, Op. 25 "Classique": III. Gavotta, Non troppo allegro | Sergei Prokofiev, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 0 | 10B | 127 BPM | ||
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: II. Adagio (Cadenza by Rostropovich) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | A Major | 1 | 11B | 90 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Symphony No. 1 in C Minor: II. Adagio | Emilie Mayer, NDR Radiophilharmonie, Leo McFall | A♭ Major | 0 | 4B | 112 BPM | ||
Violin Concerto in C-Sharp Minor, Op. 2: II. Adagio | Franz Berwald, Tobias Ringborg, Swedish Chamber Orchestra, Niklas Willen | E Major | 1 | 12B | 79 BPM |
Section: 0.6882028579711914
End: 0.6926538944244385