Bible Songs, Op. 113 (Version for Voice & Orchestra): III. A Song of Hope - Charles Villiers Stanford, Morgan Pearse, BBC Concert Orchestra, John Andrews Information

Acousticness: 92%
Danceability: 16%
Energy: 23%
Instrumentalness: 45%
Liveness: 9%
Loudness: 61%
Speechiness: 5%
Valence: 4%
Popularity: 0%
Loudness: -23.246 dB

Summary

"Bible Songs, Op. 113 (Version for Voice & Orchestra): III. A Song of Hope" by Charles Villiers Stanford, Morgan Pearse, BBC Concert Orchestra, John Andrews had its release date on June 7, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 22 in the song's album "Stanford: Orchestral Songs". In this album, this song's track order is #22. Furthermore, we believe that the track originated from United Kingdom. Bible Songs, Op. 113 (Version for Voice & Orchestra): III. A Song of Hope is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Bible Songs, Op. 113 (Version for Voice & Orchestra): III. A Song of Hope BPM

With Bible Songs, Op. 113 (Version for Voice & Orchestra): III. A Song of Hope by Charles Villiers Stanford, Morgan Pearse, BBC Concert Orchestra, John Andrews having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Bible Songs, Op. 113 (Version for Voice & Orchestra): III. A Song of Hope Key

D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Lord, for Thy Tender Mercy's Sake	Richard Farrant, Westminster Kantorei, Amanda Quist	A♭ Major	1	4B	77 BPM
Stabat Mater, Op. 96: IV. Eja Mater, fons amoris (Soprano, Alto, Tenor, Bass, Chorus)	Charles Villiers Stanford, Richard Hickox, BBC Philharmonic Orchestra, Ingrid Attrot, Pamela Helen Stephen, Nigel Robson, Stephen Varcoe, Darius Battiwalla, Leeds Philharmonic Chorus	C Major	1	8B	66 BPM
Locus iste, WAB 23	Anton Bruckner, St. Bride's Church Choir, Fleet Street, Robert Jones	C Major	0	8B	78 BPM
Te Deum, Hob. XXIIIc:2	Joseph Haydn, Richard Hickox, Collegium Musicum 90, Collegium Musicum 90 Choir	E Major	1	12B	71 BPM
Like as the Hart	Herbert Howells, The Sixteen, Harry Christophers	C Major	0	8B	82 BPM
Requiem, Op. 63: Vb. Quam olim Abrahae promisisti	Charles Villiers Stanford, University of Birmingham Voices, City Of Birmingham Symphony Orchestra, Martyn Brabbins	C Major	3	8B	86 BPM
2 Sacred Songs: No. 1, Alleluia	Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava	B♭ Major	0	6B	138 BPM
Wings (Version for Mixed Choir)	Toru Takemitsu, SWR Vokalensemble Stuttgart, Marcus Creed	F Major	0	7B	73 BPM
Hymnen, Op. 140: Nr. 4 Ave Regina	Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius	D♭ Major	1	3B	69 BPM
Historia der Auferstehung Jesu Christi, SWV 50: I. Introitus. Die Auferstehung unsers Herren Jesu Christi	Heinrich Schütz, Margret Baumgartl, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann	D♭ Major	1	3B	169 BPM

ISRC: GBC3S2434522
Label: L-M Records/RCA Records