On January 1, 1992, the song "Introduction, Theme and Variations for Clarinet and Orchestra in E-Flat Major - Cadenza: Charles Neidich: Tema (Allegretto)" was released by Gioachino Rossini, Charles Neidich, Orpheus Chamber Orchestra. With Introduction, Theme and Variations for Clarinet and Orchestra in E-Flat Major - Cadenza: Charles Neidich: Tema (Allegretto) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Weber: Clarinet Concertos / Rossini: Introduction, Theme and Variations by Charles Neidich, Orpheus Chamber Orchestra. The song's track number on the album is #8 out of 16 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Introduction, Theme and Variations for Clarinet and Orchestra in E-Flat Major - Cadenza: Charles Neidich: Tema (Allegretto) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Introduction, Theme and Variations for Clarinet and Orchestra in E-Flat Major - Cadenza: Charles Neidich: Tema (Allegretto) by Gioachino Rossini, Charles Neidich, Orpheus Chamber Orchestra has a tempo of 106 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Introduction, Theme and Variations for Clarinet and Orchestra in E-Flat Major - Cadenza: Charles Neidich: Tema (Allegretto) being at 106 BPM, the half-time would be 53 BPM with a double-time of 212 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rusalka, Op. 114 / Act 1: Overture | Antonín Dvořák, Czech Philharmonic Orchestra, Sir Charles Mackerras | E♭ Major | 0 | 5B | 64 BPM | ||
Armida: Dramma per musica in tre atti di Giovanni Schmidt: No. 3 Quartetto: Sventurata! or che mi resta (Renée Fleming, Donald Kaasch, Ildebrando D'Arcangelo, Carlo Bosi, Chorus) - Voice | Not Documented, Gioachino Rossini, Daniele Gatti, Orchestra del Teatro Comunale di Bologna | B Major | 2 | 1B | 121 BPM | ||
Rossini: Il barbiere di Siviglia: Overture | Gioachino Rossini, Riccardo Muti, Philharmonia Orchestra | G Major | 1 | 9B | 88 BPM | ||
Music for the Royal Fireworks, HWV 351: IV. La rejouissance | George Frideric Handel, Le Concert Spirituel, Herve Niquet | D♭ Major | 4 | 3B | 107 BPM | ||
Symphony No. 5 in C Minor, Op. 67: IV. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | C Major | 3 | 8B | 83 BPM | ||
Serse / Act 1 HWV40: "Ombra mai fu" | George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras | E Major | 1 | 12B | 90 BPM | ||
Lohengrin: Treulich gefuhrt ziehet dahin | John Horton Murray, Margaret Jane Wray, Bolshoi Theatre Chorus, Russian State Symphony Orchestra, John McGlinn | B♭ Major | 0 | 6B | 70 BPM | ||
Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Waltz in E-Flat Major | Gioachino Rossini, Alessandro Marangoni | C Major | 2 | 8B | 99 BPM |
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