On 1985, the song "5 Variations in G Major for Piano Duet, K. 501: Var. 1" was released by Wolfgang Amadeus Mozart, Murray Perahia, Radu Lupu. With 5 Variations in G Major for Piano Duet, K. 501: Var. 1 being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Murray Perahia's "Mozart & Schubert: Works for Piano Duo (Expanded Edition)" album is number 9 out of 13. On top of that, United States appears to be the country where this track was created. The popularity of 5 Variations in G Major for Piano Duet, K. 501: Var. 1 is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of 5 Variations in G Major for Piano Duet, K. 501: Var. 1 by Wolfgang Amadeus Mozart, Murray Perahia, Radu Lupu to be Vivace (lively and fast) because the track has a tempo of 161 BPM, a half-time of 80BPM, and a double-time of 322 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Rose, Romanze aus der Oper Zemir und Azor, S571/R259 (Spohr) | Franz Liszt, Soyeon Kate Lee | E Major | 0 | 12B | 65 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Piano Quartet No. 1 in G Minor, K. 478: II. Andante | Wolfgang Amadeus Mozart, Emanuel Ax, Isaac Stern, Jaime Laredo, Yo-Yo Ma | B♭ Major | 0 | 6B | 67 BPM | ||
Boccherini: Cello Concerto No. 7 in G Major, G. 480: II. Adagio | Luigi Boccherini, Steven Isserlis, Ostrobothnian Chamber Orchestra, Juha Kangas | D♭ Major | 1 | 3B | 121 BPM | ||
8 Fantasiestücke, Op. 12: 3. Warum? | Robert Schumann, Alfred Brendel | D♭ Major | 0 | 3B | 71 BPM | ||
Piano Sonata in D, H.XVI No.42: 1. Andante con espressione | Franz Joseph Haydn, Alfred Brendel | D Major | 1 | 10B | 111 BPM | ||
Violin Concerto No. 2 in D Major, K. 211: 2. Andante | Wolfgang Amadeus Mozart, Erik Smith, Henryk Szeryng, New Philharmonia Orchestra, Alexander Gibson | G Major | 1 | 9B | 96 BPM | ||
Keyboard Sonata in C Major, Kk. 159: Allegro | Domenico Scarlatti, Ivo Pogorelich | C Major | 2 | 8B | 169 BPM | ||
Piano Sonata No. 1 in E-Flat Major, Op. 1, No. 1, H. 8A: II. Rondo: Allegro | John Field, Benjamin Frith | E♭ Major | 1 | 5B | 97 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Variation 4 | Carl Maria von Weber, Michael Endres | F Major | 1 | 7B | 111 BPM |
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