"8 Fantasiestücke, Op. 12: 3. Warum?" by Robert Schumann, Alfred Brendel was released on January 1, 1992. The duration of 8 Fantasiestücke, Op. 12: 3. Warum? is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. 8 Fantasiestücke, Op. 12: 3. Warum?'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Schumann: Kreisleriana; Kinderszenen; Fantasiestücke". In this album, this song's track order is #24. Furthermore, we believe that the track originated from Netherlands. 8 Fantasiestücke, Op. 12: 3. Warum? is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 8 Fantasiestücke, Op. 12: 3. Warum? by Robert Schumann, Alfred Brendel having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Forelle, S. 564 (after Schubert, D. 550) | Franz Liszt, Jorge Bolet | E Major | 0 | 12B | 125 BPM | ||
24 Preludes, Op. 34: No. 21 in B-Flat Major. Allegretto poco moderato | Dmitri Shostakovich, Tatiana Nikolayeva | G Major | 1 | 9B | 63 BPM | ||
4 Sketches, Op. 5, JB 1:67: No. 2, Melancholy. Allegretto | Bedřich Smetana, Jitka Čechová | A♭ Minor | 0 | 1A | 173 BPM | ||
Character Pieces, MA Ms. 44 (selections): II. Andante, in G Major | Fanny Mendelssohn, Beatrice Rauchs | G Major | 0 | 9B | 76 BPM | ||
3 Romanzen, Op. 28: No. 2 in F-Sharp Major (Einfach) | Robert Schumann, Maria João Pires | F♯ Major | 0 | 2B | 66 BPM | ||
Bocetos: IV. La campana de la tarde. Allegretto | Enrique Granados, Alicia de Larrocha | F Major | 0 | 7B | 129 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
4 Klavierstücke, Op. 119: No. 2, Intermezzo in E Minor. Andantino un poco agitato | Johannes Brahms, Rudolf Serkin | E Major | 0 | 12B | 75 BPM | ||
Spanische Liebeslieder, Op. 138: 1. Vorspiel | Robert Schumann, Emanuel Geibel, Christian Gerhaher, Gerold Huber, Julia Kleiter | G Minor | 1 | 6A | 105 BPM | ||
Kinderszenen, Op. 15: No. 12, Kind im Einschlummern | Robert Schumann, Vladimir Horowitz | C Major | 0 | 8B | 94 BPM |
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