Dresdner Kreuzchor, Martin Flämig's 'So sei gegrüsst viel tausendmal, Op. 79: No. 4, Frühlingsgruss' came out on July 3, 2013. With So sei gegrüsst viel tausendmal, Op. 79: No. 4, Frühlingsgruss being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "Musikstadt Dresden" album is number 3 out of 34. So sei gegrüsst viel tausendmal, Op. 79: No. 4, Frühlingsgruss is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of So sei gegrüsst viel tausendmal, Op. 79: No. 4, Frühlingsgruss by Dresdner Kreuzchor, Martin Flämig to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Matthäus-Passion, SWV 479: "Wo willst du, daß wir dir bereiten" - Remastered | Heinrich Schütz, Dresdner Kreuzchor, Peter Schreier, Martin Flämig | E♭ Major | 1 | 5B | 91 BPM | ||
Christ lag in Todesbanden: Versus I | Johann Pachelbel, Beate Spaltner, Nils Giebelhausen, Wolf Matthias Friedrich, Jurgen Banholzer, Hermann Oswald, Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | D Minor | 3 | 7A | 109 BPM | ||
Acht Kleine Präludien Und Fugen In C-dur, Bwv 553 | Ton Koopman | C Major | 1 | 8B | 67 BPM | ||
Cantate Domino, SV 293 | Claudio Monteverdi, Le Concert Spirituel, Herve Niquet | F Major | 2 | 7B | 88 BPM | ||
Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | G Major | 1 | 9B | 79 BPM | ||
Messe in B Minor, BWV 232: Gloria. Gratias agimus tibi | Johann Sebastian Bach, Staatskapelle Dresden, Dresdner Kreuzchor, Rudolf Mauersberger | G Major | 4 | 9B | 65 BPM | ||
Fürchte dich nicht | Johann Christoph Bach, Vox Luminis, Lionel Meunier | A Minor | 0 | 8A | 96 BPM | ||
Magnificat in B flat major: Magnificat anima mea | Francesco Durante, Thomas Hengelbrock | A Major | 3 | 11B | 126 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: IV. "Wie lieblich sind deine Wohnungen, Herr Zebaoth" (Choir) | Johannes Brahms, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | E♭ Major | 0 | 5B | 98 BPM |
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