Ton Koopman's 'Acht Kleine Präludien Und Fugen In C-dur, Bwv 553' came out on June 1, 1990. The duration of Acht Kleine Präludien Und Fugen In C-dur, Bwv 553 is about 3 minutes long, at 3:25. Based on our data, "Acht Kleine Präludien Und Fugen In C-dur, Bwv 553" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ton Koopman's "Johann Sebastian Bach: Orgelwerke V" album is number 7 out of 17. On top of that, Switzerland appears to be the country where this track was created. Acht Kleine Präludien Und Fugen In C-dur, Bwv 553 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Acht Kleine Präludien Und Fugen In C-dur, Bwv 553 by Ton Koopman to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonies de Fanfares for Trumpet and Organ: I. Rondeau | Jean-Joseph Mouret, Joachim Pliquett, Arvid Gast | A♭ Minor | 0 | 1A | 149 BPM | ||
Messe pour le Samedi de Pâques: Pleni sunt coeli | Marc-Antoine Charpentier, Knabenchor Hannover, Heinz Hennig, Ton Koopman | C Major | 1 | 8B | 69 BPM | ||
Three Pieces for Musical Clock: Menuett - Allegretto | Franz Joseph Haydn, William McVicker | G Minor | 0 | 6A | 74 BPM | ||
Corelli: Sonata No. 1 in C Major (from "12 Violin Sonatas", Op. 4): I. Preludio (Largo) - II. Corrente (Allegro) - III. Adagio - IV. Allemanda (Presto) | Arcangelo Corelli, London Baroque/Charles Medlam, Charles Medlam | B Major | 2 | 1B | 99 BPM | ||
Magnificat in B flat major: Magnificat anima mea | Francesco Durante, Thomas Hengelbrock | A Major | 3 | 11B | 126 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": I. Allegro assai | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 127 BPM | ||
Thema mit Variationen: Var. 1 | Johann Gottlob Schneider, Halgeir Schiager | E Minor | 1 | 9A | 95 BPM | ||
Sonata VI ad uso Offertorio | Niccolò Moretti, Silvano Rodi | D♭ Major | 2 | 3B | 123 BPM | ||
Toccata in D Major, P460 | Johann Pachelbel, Matthew Owens | F♯ Major | 0 | 2B | 123 BPM | ||
Wer Nur Den Lieben Gott - Koraal | Sietze de Vries | F♯ Minor | 1 | 11A | 127 BPM |
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