"Matthäus-Passion, SWV 479: "Wo willst du, daß wir dir bereiten" - Remastered" by Heinrich Schütz, Dresdner Kreuzchor, Peter Schreier, Martin Flämig was released on January 5, 2024. The duration of Matthäus-Passion, SWV 479: "Wo willst du, daß wir dir bereiten" - Remastered is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Matthäus-Passion, SWV 479: "Wo willst du, daß wir dir bereiten" - Remastered's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Schütz: Matthäus-Passion". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. In terms of popularity, Matthäus-Passion, SWV 479: "Wo willst du, daß wir dir bereiten" - Remastered is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Matthäus-Passion, SWV 479: "Wo willst du, daß wir dir bereiten" - Remastered by Heinrich Schütz, Dresdner Kreuzchor, Peter Schreier, Martin Flämig having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Toutes les nuictz | Clément Janequin, Ensemble Clément Janequin, Dominique Visse | E Major | 0 | 12B | 98 BPM | ||
Secunda die Lectio prima: VI. Hierusalem convertere ad dominum tuum | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 2 | 2B | 91 BPM | ||
Maria wallt zum Heiligtum | Johannes Eccard, Owain Park, The Gesualdo Six | C Minor | 2 | 5A | 81 BPM | ||
Te Deum, H. 146: VI. Te ergo quæsumus famulis tuis subveni | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Jehanne Amzal | B♭ Major | 4 | 6B | 106 BPM | ||
Messa a quattro voci, SV 190: III. Credo | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Battle Suite: III. Gailliard Battaglia | Samuel Scheidt, American Brass Quintet | G Major | 3 | 9B | 93 BPM | ||
Allein Gott in der Höh sey Ehr, SwWV 299: IV. Variation IV | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM | ||
Symphoniae sacrae II, Op. 10: No. 7, Ich danke dir, Herr, von ganzem Herzen, SWV 347 | Heinrich Schütz, David de Winter, The Brook Street Band | D Minor | 1 | 7A | 67 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Hostias, (a) Hostias et praeces tibi, Domine | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | B Minor | 1 | 10A | 116 BPM |
Section: 1.0111265182495117
End: 1.0147738456726074