Battle Suite: III. Gailliard Battaglia - Samuel Scheidt, American Brass Quintet Information

Acousticness
98%
Danceability
44%
Energy
30%
Instrumentalness
90%
Liveness
14%
Loudness
73%
Speechiness
4%
Valence
54%
Popularity
Loudness
-16.266 dB

Summary

Samuel Scheidt, American Brass Quintet made "Battle Suite: III. Gailliard Battaglia" available on January 1, 1983. With Battle Suite: III. Gailliard Battaglia being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 19 in Chamber Music (Brass Quintet) - Scheidt, S. / Ferrabosco Ii, A. / Morley, T. / Holborne, A. / Weelkes, T. / Simpson, T. by American Brass Quintet. In terms of popularity, Battle Suite: III. Gailliard Battaglia is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Battle Suite: III. Gailliard Battaglia BPM

The tempo marking of Battle Suite: III. Gailliard Battaglia by Samuel Scheidt, American Brass Quintet is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.

Battle Suite: III. Gailliard Battaglia Key

This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
In Nomine, In Nomine, "Fantasia": FantasiaWilliam Mundy, The Rose Consort Of ViolsB Major01B115 BPM
Jesus Christus, unser Heiland by Samuel Scheidt, Harmonia Recorder EnsembleJesus Christus, unser HeilandSamuel Scheidt, Harmonia Recorder EnsembleD Minor07A70 BPM
Marais: Pièces en trio: Suite No. 4 en si bémol majeur: IV. Gigue by Marin Marais, Ensemble AmaliaMarais: Pièces en trio: Suite No. 4 en si bémol majeur: IV. GigueMarin Marais, Ensemble AmaliaA Major011B76 BPM
Dances: As It Fell On A Holie Eve by Anthony Holborne, Guildhall Waits, Trevor Jones, Consort Of Musicke, Anthony RooleyDances: As It Fell On A Holie EveAnthony Holborne, Guildhall Waits, Trevor Jones, Consort Of Musicke, Anthony RooleyG Minor16A73 BPM
Daca, bailemos Carillo by Juan del Encina, ContrArco ConsortDaca, bailemos CarilloJuan del Encina, ContrArco ConsortF Major17B97 BPM
Madonna Qual Certezza by The Royal Wind MusicMadonna Qual CertezzaThe Royal Wind MusicF♯ Minor111A73 BPM
Mrs. White's Thing, P. 50 by John Dowland, Nigel NorthMrs. White's Thing, P. 50John Dowland, Nigel NorthF Minor14A68 BPM
Tarphicken by Mr Beck, Ronn McFarlaneTarphickenMr Beck, Ronn McFarlaneB Major11B75 BPM
Praeambulum in D by Heinrich Scheidemann, Bart JacobsPraeambulum in DHeinrich Scheidemann, Bart JacobsD Minor17A71 BPM
Gaspar Sanz: Canarios - For Baroque Guitar and Colascione by Gaspar Sanz, Andreas Nachtsheim, Klaus MaderGaspar Sanz: Canarios - For Baroque Guitar and ColascioneGaspar Sanz, Andreas Nachtsheim, Klaus MaderD♭ Major13B173 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.610659122467041

End: 0.6142332553863525