Giuseppe Verdi, Leo Slezak, Studio Orchestra's 'Rigoletto: Ach, wie so trugerish (Herzog)' came out on January 1, 2000. The duration of Rigoletto: Ach, wie so trugerish (Herzog) is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Rigoletto: Ach, wie so trugerish (Herzog)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Slezak, Leo: Opera Arias". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Germany. The popularity of Rigoletto: Ach, wie so trugerish (Herzog) is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Rigoletto: Ach, wie so trugerish (Herzog) by Giuseppe Verdi, Leo Slezak, Studio Orchestra having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto / Act III: La donna è mobile | Giuseppe Verdi, Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini | B Major | 1 | 1B | 168 BPM | ||
La fille du régiment / Act 1: "Ah! mes amis, quel jour de fête!" | Gaetano Donizetti, Juan Diego Flórez, Nikola Mijailovic, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | F Major | 1 | 7B | 134 BPM | ||
La Bohème: Mi chiamano Mimi | Mirella Freni | D Major | 2 | 10B | 74 BPM | ||
Aida: Danza Sacre delle Sacerdotesse | Giuseppe Verdi, Plácido Domingo, Metropolitan Opera Orchestra, Samuel Ramey, Aprile Millo, James Levine, Dolora Zajick, James Morris | C Major | 1 | 8B | 144 BPM | ||
Requiem: I. Requiem Aeternam | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John Relyea | A Minor | 0 | 8A | 85 BPM | ||
L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | ||
Carmen, Act I, No.4 Choeur des Cigarières: Voyez-les! regards impudents....Dans l'air nous suivons des yeux (Dragons/Cigarières) | Georges Bizet, Choeur Les Elements, Orchestre National Du Capitole De Toulouse, Michel Plasson, Wolff | E Major | 1 | 12B | 85 BPM | ||
Il barbiere di Siviglia (the Barber of Seville), Act I: Cavatina. Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 100 BPM | ||
La Traviata / Act 2: "Ah! Dite alla giovine" | Giuseppe Verdi, Ileana Cotrubas, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | E♭ Major | 1 | 5B | 89 BPM | ||
Verdi: Il trovatore, Act 4: "D'amor sull'ali rosee" (Leonora) | Giuseppe Verdi, Antonio Pappano, Angela Gheorghiu, London Symphony Orchestra | A♭ Major | 1 | 4B | 79 BPM |
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