"Hor che'l ciel e la terra, SV 147: Or che'l ciel e la terra" by Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini was released on May 12, 2017. Hor che'l ciel e la terra, SV 147: Or che'l ciel e la terra is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. The track order of this song in Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini's "Monteverdi: Madrigals, Book 8" album is number 6 out of 85. On top of that, Hong Kong appears to be the country where this track was created. Hor che'l ciel e la terra, SV 147: Or che'l ciel e la terra is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hor che'l ciel e la terra, SV 147: Or che'l ciel e la terra by Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jesu, meines Lebens Leben in D Minor, BuxWV 62: I. Sinfonia | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin | D Minor | 1 | 7A | 126 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act III: Chorus. "With Drooping Wings" (Chorus) | Henry Purcell, Emmanuelle Haïm, European Voices, Le Concert d'Astrée | F♯ Minor | 1 | 11A | 169 BPM | ||
O quam tu pulchra es (Cantio sacra 1628. R. Ewerhart, Köln) | Philippe Jaroussky, Ensemble Artaserse | A Minor | 0 | 8A | 109 BPM | ||
Salve Regina in C minor (1736): 4. Et Jesum | Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 95 BPM | ||
Madrigali amorosi: No. 2, Sonnet by Petrarch "Vago augelletto che cantando vai" | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | C Major | 1 | 8B | 87 BPM | ||
Madrigals, Book 9: O mio bene, SV 178 | Claudio Monteverdi, Le Nuove Músiche, Krijn Koetsveld, Falco van Loon, Joao Moreiro, Bas Ramselaar | G Major | 1 | 9B | 198 BPM | ||
Basciami Mille Volte a 5 Voci | Luca Marenzio, Rinaldo Alessandrini, Concerto Italiano | G Minor | 1 | 6A | 81 BPM | ||
En gratulemur hodie, SV 302 | Claudio Monteverdi, Krijn Koetsveld, Jennifer van der Hart, Wendy Roobol, Falco van Loon, Elise van der Wel, Ivan Iliev, Cassandra Luckhardt, Mike Fentross | F Major | 2 | 7B | 77 BPM |
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