"So spricht der Herr" by Peter Planyavsky, cantus et musica Freiburg, Raimund Hug was released on June 28, 2013. The duration of So spricht der Herr is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. So spricht der Herr's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in cantus et musica Freiburg, Raimund Hug's "Heiller, Kubizek, Orbán, Schilling, Nystedt, Brunner, Wiggins, Zehm, Marx, Lengerich, Kropfreiter & Planyavsky: Resurrexi - Neue Chormusik zur Fasten- und Osterzeit" album is number 17 out of 22. On top of that, Germany appears to be the country where this track was created. In terms of popularity, So spricht der Herr is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of So spricht der Herr by Peter Planyavsky, cantus et musica Freiburg, Raimund Hug to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Und dann sah ich | Peter Planyavsky, cantus et musica Freiburg, Raimund Hug | G Major | 1 | 9B | 96 BPM | ||
Six Sonatas for Organ, Op. 65: Sonata No. 6 in D Minor, VII. Finale, Andante | Felix Mendelssohn, Jos Van Der Kooy | A♭ Minor | 2 | 1A | 67 BPM | ||
Rameau: Deuxième livre de pièces de clavecin, Suite en mi mineur: VIII. Tambourin | Jean-Philippe Rameau, György Cziffra | F♯ Minor | 3 | 11A | 112 BPM | ||
Schumann: Fantasiestücke, Op. 73: I. Zart und mit Ausdruck | Robert Schumann, Emmanuel Pahud, Eric Le Sage | F Major | 1 | 7B | 84 BPM | ||
Alle Menschen müssen sterben | Peter Planyavsky | C Minor | 1 | 5A | 124 BPM | ||
Näher, mein Gott zu dir | Peter Planyavsky | D Minor | 0 | 7A | 70 BPM | ||
Cinquième Symphonie. Allegro vivace | Olivier Latry | F Minor | 1 | 4A | 77 BPM | ||
Deuxieme livre, Suite en Mi: V. Le rappel des oiseaux | Jean-Philippe Rameau, Alexander Paley | E Minor | 0 | 9A | 133 BPM | ||
Mass No. 6 in E-Flat Major, D. 950: IVb. Sanctus. Osanna in excelsis | Franz Schubert, Cleveland Orchestra, Franz Welser-Möst, Cleveland Orchestra Chorus | C Minor | 1 | 5A | 84 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | B Minor | 1 | 10A | 139 BPM |
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