"Six Sonatas for Organ, Op. 65: Sonata No. 6 in D Minor, VII. Finale, Andante" by Felix Mendelssohn, Jos Van Der Kooy was released on April 24, 2009. The duration of Six Sonatas for Organ, Op. 65: Sonata No. 6 in D Minor, VII. Finale, Andante is about 3 minutes long, at 3:16. Based on our data, "Six Sonatas for Organ, Op. 65: Sonata No. 6 in D Minor, VII. Finale, Andante" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Felix Mendelssohn, Jos Van Der Kooy's "Mendelssohn-Bartholdy: Six Sonatas for Organ, Op. 65" album is number 24 out of 24. On top of that, Netherlands appears to be the country where this track was created. Six Sonatas for Organ, Op. 65: Sonata No. 6 in D Minor, VII. Finale, Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Six Sonatas for Organ, Op. 65: Sonata No. 6 in D Minor, VII. Finale, Andante by Felix Mendelssohn, Jos Van Der Kooy to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Toccata in D Major, P460 | Johann Pachelbel, Matthew Owens | F♯ Major | 0 | 2B | 123 BPM | ||
Deutsche Messe, D. 872: Schlussgesang: Nicht zu langsam | Franz Schubert, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
Ricercar in G Minor, FbWV 405, Pt. 1 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Pastorale for Organ, Op. 23 No. 5 - Live | Martin K. Schubert | B♭ Major | 0 | 6B | 68 BPM | ||
Erschienen ist der herrlich Tag, BuxWV 224 | Łukasz Bobka | A Minor | 3 | 8A | 70 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": IV. A tempo moderato. "Sagt es, die ihr erlöst seid" | Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Frieder Bernius, Kammerchor Stuttgart | C Major | 0 | 8B | 86 BPM | ||
When I Survey the Wondrous Cross | Andrey Jackson | D Major | 0 | 10B | 137 BPM | ||
Prelude & Fugue in A Minor, WoO 9: I. Prelude | Johannes Brahms, Konstantin Volostnov | B♭ Minor | 1 | 3A | 73 BPM | ||
Festival Voluntary, Op. 87 | Flor Peeters, Edward Harte | D Major | 3 | 10B | 81 BPM | ||
Fuge in C | Fridthjov Anderssen, Bjørn Andor Drage | B♭ Major | 0 | 6B | 75 BPM |
Section: 0.47589802742004395
End: 0.4805901050567627