"Und dann sah ich" by Peter Planyavsky, cantus et musica Freiburg, Raimund Hug was released on June 28, 2013. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in cantus et musica Freiburg, Raimund Hug's "Heiller, Kubizek, Orbán, Schilling, Nystedt, Brunner, Wiggins, Zehm, Marx, Lengerich, Kropfreiter & Planyavsky: Resurrexi - Neue Chormusik zur Fasten- und Osterzeit" album is number 16 out of 22. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Und dann sah ich is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Und dann sah ich by Peter Planyavsky, cantus et musica Freiburg, Raimund Hug to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deus, sancta trinitas, Op. 28 : III. Allegro moderato | Knut Nystedt, Anders Eidsten Dahl | E♭ Major | 0 | 5B | 69 BPM | ||
Les tendres plaintes—Rondeau, RCT 3/1 | Jean-Philippe Rameau, Bruce Liu | D Minor | 0 | 7A | 75 BPM | ||
6 Studien in kanonischer Form, Op. 56: II. Mit innigem Ausdruck | Robert Schumann, Céline Moinet, Florian Uhlig, Norbert Anger | D Minor | 0 | 7A | 166 BPM | ||
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. (e) Andante maestoso. "Seid umschlungen, Millionen!" - | Ludwig van Beethoven, Margaret Price, Marjana Lipovsek, Peter Seiffert, Jan-Hendrik Rootering, Chor Des Städtischen Musikvereins E. V. Düsseldorf, Wolfgang Sawallisch, Concertgebouworkest, Chor des Städtischen Musikvereins zu Düsseldorf | B Minor | 5 | 10A | 120 BPM | ||
O Welt, ich muss dich lassen | Peter Planyavsky | F Minor | 0 | 4A | 75 BPM | ||
Handel: Organ Concerto in B-Flat Major, Op. 4 No. 6, HWV 294: I. Andante allegro | George Frideric Handel, Ton Koopman, Amsterdam Baroque Orchestra | D♭ Minor | 2 | 12A | 122 BPM | ||
Requiem in C Minor, MH 559: Dies irae: Oro supplex | Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt | A♭ Major | 0 | 4B | 76 BPM | ||
Vivat Rex | David John Hicken, David Hicken | D Minor | 1 | 7A | 76 BPM | ||
Save Your Tears | Reductio | G Major | 2 | 9B | 69 BPM | ||
Double du Rossignol: 14ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | A Major | 1 | 11B | 63 BPM |
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