Marin Marais, Fabio Biondi, Jordi Savall, Pierre Hantaï, Rolf Lislevand's 'Sonnerie de Sainte Geneviève du Mont de Paris' came out on January 1, 1992. Since Sonnerie de Sainte Geneviève du Mont de Paris is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Various Artists's "La musique au temps de Marin Marais" album is number 1 out of 15. Based on our statistics, Sonnerie de Sainte Geneviève du Mont de Paris's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonnerie de Sainte Geneviève du Mont de Paris by Marin Marais, Fabio Biondi, Jordi Savall, Pierre Hantaï, Rolf Lislevand to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scarlatti, D: Keyboard Sonata in A Major, Kk. 208 | Domenico Scarlatti, Jean Rondeau | A♭ Major | 2 | 4B | 101 BPM | ||
Pièces à deux violes du Premier Livre, suite en ré mineur: I. Prélude à deux violes (1686) | Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith | D♭ Minor | 2 | 12A | 85 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
Mandolin Concerto in C Major, RV 425: III. Allegro | Antonio Vivaldi, Enrico Parizzi, Ludovico Minasi, Riccardo-Masahide Minasi, Thomas Boysen, Thor-Harald Johnsen, Valerio Losito, Rolf Lislevand | A Major | 1 | 11B | 100 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
[Suite en ré majeur]: XI. Allemande La Dornel (No. 59) | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 1 | 3B | 141 BPM | ||
Refrain 3 | Stephen Stubbs | A Minor | 0 | 8A | 88 BPM | ||
Prima die Lectio prima: III. Quomodo sedet sola | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Minor | 1 | 11A | 89 BPM | ||
Pavan | Orlando Gibbons, The Rose Consort Of Viols | F♯ Major | 1 | 2B | 79 BPM | ||
Canzona seconda a canto solo "detta la Bernardinia" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 2 | 8A | 82 BPM |
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