Marin Marais, François Joubert-Caillet, L'Achéron's '[Suite en ré majeur]: XI. Allemande La Dornel (No. 59)' came out on June 9, 2023. The duration of [Suite en ré majeur]: XI. Allemande La Dornel (No. 59) is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. [Suite en ré majeur]: XI. Allemande La Dornel (No. 59)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marin Marais, François Joubert-Caillet, L'Achéron's "Marais: Cinquième livre de pièces de viole" album is number 24 out of 112. On top of that, Belgium appears to be the country where this track was created. Based on our statistics, [Suite en ré majeur]: XI. Allemande La Dornel (No. 59)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of [Suite en ré majeur]: XI. Allemande La Dornel (No. 59) by Marin Marais, François Joubert-Caillet, L'Achéron to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Première suite à 3 violes in D Major: No. 2, Allemande | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 1 | 4B | 145 BPM | ||
Armide: Passacaille | Jean-Baptiste Lully, Véronique Gens, Christophe Rousset, Les Talens Lyriques | F Minor | 1 | 4A | 122 BPM | ||
Guitar Quintet No. 4 in D Major, G. 448: I. Pastorale | Luigi Boccherini, José Miguel Moreno, La Real Cámara | A♭ Major | 0 | 4B | 110 BPM | ||
Folia variations for harp solo | Anonymous, Lucas Ruiz de Ribayaz, Maxine Eilander | B Major | 1 | 1B | 148 BPM | ||
Fantaisie en Mi mineur (Arrangement Jordi Savall d'après Mr. de Sainte Colombe le fils) | Monsieur de Sainte-Colombe, Jordi Savall | E♭ Minor | 0 | 2A | 61 BPM | ||
Plaude laetere: Symphonie | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B Major | 1 | 1B | 104 BPM | ||
De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: IV. Gavotte | Robert de Visée, Jean Rondeau | D♭ Major | 2 | 3B | 75 BPM | ||
Quatrième suite in A Minor: No. 7, Muzette II | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 1 | 4B | 130 BPM | ||
Prelude, P. 98 | John Dowland, Nigel North | F Minor | 1 | 4A | 68 BPM | ||
[Suite en ré majeur]: I. Prélude (No. 47) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 0 | 4B | 92 BPM |
Section: 0.5950002670288086
End: 0.599372386932373