Antonio Vivaldi, Jakub Józef Orliński, Capella Cracoviensis, Jan Tomasz Adamus made "Vivaldi: Stabat Mater, RV 621: VII. Eia Mater, fons amoris" available on March 18, 2022. The duration of Vivaldi: Stabat Mater, RV 621: VII. Eia Mater, fons amoris is about 3 minutes long, at 3:15. Based on our data, "Vivaldi: Stabat Mater, RV 621: VII. Eia Mater, fons amoris" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vivaldi: Stabat Mater by Antonio Vivaldi, Jakub Józef Orliński, Jan Tomasz Adamus. The song's track number on the album is #7 out of 9 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Vivaldi: Stabat Mater, RV 621: VII. Eia Mater, fons amoris is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Vivaldi: Stabat Mater, RV 621: VII. Eia Mater, fons amoris by Antonio Vivaldi, Jakub Józef Orliński, Capella Cracoviensis, Jan Tomasz Adamus has a tempo of 104 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Vivaldi: Stabat Mater, RV 621: VII. Eia Mater, fons amoris being at 104 BPM, the half-time would be 52 BPM with a double-time of 208 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miserere: IV. Redde mihi laetitiam | Gregorio Allegri, Le Poème Harmonique, Vincent Dumestre | F Minor | 1 | 4A | 174 BPM | ||
Fago: Confitebor tibi Domine: VI. "Intellectus bonus omnibus - Gloria" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | F♯ Major | 2 | 2B | 82 BPM | ||
Vivaldi: Magnificat in G Minor, RV 610: VI. Esurientes | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Deborah Norman, Sarah Fox, Stephen Cleobury | A Major | 2 | 11B | 100 BPM | ||
Les Indes galantes, Nouvelle Entrée, Scène 6: "Forêts paisibles" (Zima & Adario, Choeur des Sauvages) | Jean-Philippe Rameau, Claron McFadden, Nicolas Rivenq, Les Arts Florissants, William Christie | F♯ Minor | 1 | 11A | 78 BPM | ||
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea) | Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina Pluhar | G Major | 1 | 9B | 77 BPM | ||
Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM | ||
Fago: Tam non splendet sol creatus: III. "Dum infans iam dormit" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D Major | 1 | 10B | 79 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Numi, barbari Numi!" (Orfeo) | Christoph Willibald Gluck, Stefan Plewniak, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
La Wally (1997 Digital Remaster): Ebben?...Ne andrò lontana | Maria Callas, Tullio Serafin, Philharmonia Orchestra | C Major | 2 | 8B | 71 BPM | ||
Handel: Theodora, HWV 68, Pt. 2 Scene 5: Duet. "To Thee, Thou Glorious Son of Worth" (Theodora, Didymus) | George Frideric Handel, Maxim Emelyanychev, Lisette Oropesa, Paul-Antoine Bénos-Djian, Il Pomo D'oro | E Minor | 2 | 9A | 62 BPM |
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