"Handel: Theodora, HWV 68, Pt. 2 Scene 5: Duet. "To Thee, Thou Glorious Son of Worth" (Theodora, Didymus)" by George Frideric Handel, Maxim Emelyanychev, Lisette Oropesa, Paul-Antoine Bénos-Djian, Il Pomo D'oro was released on October 28, 2022. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, Lisette Oropesa, Joyce DiDonato, Michael Spyres, Paul-Antoine Bénos-Djian, Il Pomo D'oro, Maxim Emelyanychev's "Handel: Theodora, HWV 68" album is number 54 out of 78. On top of that, United Kingdom appears to be the country where this track was created. Handel: Theodora, HWV 68, Pt. 2 Scene 5: Duet. "To Thee, Thou Glorious Son of Worth" (Theodora, Didymus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Handel: Theodora, HWV 68, Pt. 2 Scene 5: Duet. "To Thee, Thou Glorious Son of Worth" (Theodora, Didymus) by George Frideric Handel, Maxim Emelyanychev, Lisette Oropesa, Paul-Antoine Bénos-Djian, Il Pomo D'oro to be Larghetto (rather broadly) because the track has a tempo of 62 BPM, a half-time of 31BPM, and a double-time of 124 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Lucie de Lammermoor: Gilbert. Ô fontaine | Gaetano Donizetti, Lisette Oropesa, Dresdener Philharmonie, Corrado Rovaris, Juan Carlos Navarrro | F Minor | 1 | 4A | 84 BPM | ||
Giulio Cesare in Egitto, HWV 17 / Atto secondo: Recitativo "Che veggio, oh Numi?" - Live | George Frideric Handel, Magdalena Kozená, Marijana Mijanovic, Guido Larisch, Michel Maldonado, Pascal Monteilhet, Jory Vinikour, Mirella Giardelli | D♭ Minor | 0 | 12A | 66 BPM | ||
Klag Lied in D Minor, BuxWV 76: II. Contrapunctus II & Evolutio | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Maÿlis de Villoutreys | E Minor | 1 | 9A | 83 BPM | ||
Giulio Cesare, HWV 17: Act II - "V'adoro pupille" | Simone Kermes | E Major | 1 | 12B | 101 BPM | ||
Heinichen: Alma Redemptoris Mater, S. 22: II. "Tu quae genuisti" | Johann David Heinichen, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D♭ Minor | 1 | 12A | 67 BPM | ||
Handel: Susanna, HWV 66, Act 3: "To My Chaste Susanna’s Praise" (Joacim, Susanna) | George Frideric Handel, Jupiter, Thomas Dunford, Iestyn Davies, Lea Desandre | E Major | 3 | 12B | 129 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Magnificat, W. E22: Et misericordia eius (Chorus) | Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider | B Major | 3 | 1B | 64 BPM | ||
Hasse: Orfeo: "Sempre a si vaghi rai" (Orfeo) | Johann Adolf Hasse, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 3 | 12B | 176 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Torna, o bella, al tuo consorte" (Chorus) | Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti | E Major | 1 | 12B | 42 BPM |
Section: 0.5561656951904297
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