Einojuhani Rautavaara, Estonian Philharmonic Chamber Choir, Paul Hillier's 'Lorca Suite, Op.72: IV. Malagueña' came out on 2002. With Lorca Suite, Op.72: IV. Malagueña being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 18 in Baltic Voices 1 by Estonian Philharmonic Chamber Choir, Paul Hillier. Lorca Suite, Op.72: IV. Malagueña is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lorca Suite, Op.72: IV. Malagueña by Einojuhani Rautavaara, Estonian Philharmonic Chamber Choir, Paul Hillier is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wagner: Lohengrin, WWV 75: Prelude to Act 1 | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin | D Minor | 1 | 7A | 144 BPM | ||
Piano Trio: I. Pale Yellow | Jennifer Higdon, Anne Akiko Meyers, Alisa Weilerstein, Adam Neiman | A Major | 0 | 11B | 128 BPM | ||
Britten: Holiday Diary, Op. 5: II. Sailing | Benjamin Britten, Stephen Hough | D Major | 0 | 10B | 76 BPM | ||
Don Quixote, Op. 35, TrV 184: Finale: Don Quixotes Tod | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | D Major | 0 | 10B | 83 BPM | ||
Adams: Nixon in China: Act I, Scene 1 - (Beginning) | John Adams, Edo de Waart, Orchestra of St. Luke's | A Minor | 0 | 8A | 105 BPM | ||
Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
Le sacre du printemps / Pt. 1: L'Adoration de la terre: I. Introduction | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | A♭ Minor | 0 | 1A | 82 BPM | ||
Phantasy Quintet: III. Alla Sarabanda | Ralph Vaughan Williams, Medici String Quartet, Simon Rowland-Jones | F Minor | 0 | 4A | 83 BPM | ||
The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Fugue | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | D Major | 2 | 10B | 79 BPM | ||
Shéhérazade, M. 41: III. L'indifférent | Maurice Ravel, Anne Sofie von Otter, Cleveland Orchestra, Pierre Boulez | C Major | 4 | 8B | 49 BPM |
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