Wolfgang Amadeus Mozart, Murray Perahia, Radu Lupu made "5 Variations in G Major for Piano Duet, K. 501: Theme. Andante" available on 1985. With 5 Variations in G Major for Piano Duet, K. 501: Theme. Andante being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Murray Perahia's "Mozart & Schubert: Works for Piano Duo (Expanded Edition)" album is number 8 out of 13. On top of that, United States appears to be the country where this track was created. Based on our statistics, 5 Variations in G Major for Piano Duet, K. 501: Theme. Andante's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of 5 Variations in G Major for Piano Duet, K. 501: Theme. Andante by Wolfgang Amadeus Mozart, Murray Perahia, Radu Lupu to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | F Major | 0 | 7B | 100 BPM | ||
Piano Concerto No. 2 in B-Flat Major, K. 39: III. Molto allegro | Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra | B♭ Major | 1 | 6B | 152 BPM | ||
Sonata in G Major, L 349 | Domenico Scarlatti, Vladimir Horowitz | D Major | 1 | 10B | 146 BPM | ||
Lyric Pieces Book X, Op. 71: No. 3 Puck | Edvard Grieg, Emil Gilels | B Major | 1 | 1B | 92 BPM | ||
13 Pieces, Op. 76: No. 7 Affettuoso | Jean Sibelius, Håvard Gimse | E♭ Major | 0 | 5B | 102 BPM | ||
Quintet in A Major for Clarinet and Strings, K. 581: II. Larghetto | Endres Quartet, Jost Michaels | D Major | 0 | 10B | 74 BPM | ||
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM | ||
Préludes / Book 1, L. 117: 8. La fille aux cheveux de lin | Claude Debussy, Víkingur Ólafsson | F♯ Major | 0 | 2B | 76 BPM | ||
Lyric Pieces Book III, Op. 43: No. 1 Butterfly | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Aufenthalt (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | E Minor | 2 | 9A | 71 BPM |
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