Jean-Philippe Rameau, Bernard Deletré, Isabelle Poulenard, Jean-Paul Fouchécourt, Les Arts Florissants, William Christie made "Les Indes galantes, Deuxième Entrée, Scène 6 - Scène 7 - Scène 8: "Arrêtez ! Par ces feux le ciel vient de m'apprendre..." (Huascar, Phani)" available on October 14, 1991. Les Indes galantes, Deuxième Entrée, Scène 6 - Scène 7 - Scène 8: "Arrêtez ! Par ces feux le ciel vient de m'apprendre..." (Huascar, Phani) is about six minutes long, preciously at 6:00, making this song fairly long compared to other songs. There are a total of 59 in the song's album "Rameau: Les Indes galantes". In this album, this song's track order is #13. Based on our statistics, Les Indes galantes, Deuxième Entrée, Scène 6 - Scène 7 - Scène 8: "Arrêtez ! Par ces feux le ciel vient de m'apprendre..." (Huascar, Phani)'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Les Indes galantes, Deuxième Entrée, Scène 6 - Scène 7 - Scène 8: "Arrêtez ! Par ces feux le ciel vient de m'apprendre..." (Huascar, Phani) by Jean-Philippe Rameau, Bernard Deletré, Isabelle Poulenard, Jean-Paul Fouchécourt, Les Arts Florissants, William Christie having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 3 in G-flat major | Franz Schubert, Khatia Buniatishvili | F♯ Major | 0 | 2B | 69 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Schumann: Kinderszenen, Op. 15: I Von fremden Ländern und Menschen | Robert Schumann, Maria João Pires | G Major | 0 | 9B | 67 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
Mandolin Concerto in C Major, RV 425: I. Allegro | Antonio Vivaldi, Avi Avital, Venice Baroque Orchestra | C Major | 2 | 8B | 97 BPM | ||
Cinquième concert: II. La Cupis | Jean-Philippe Rameau, Víkingur Ólafsson | D Minor | 0 | 7A | 136 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM |
Section: 0.7200469970703125
End: 0.7235689163208008