György Ligeti, Berlin Philharmonic Wind Quintet's '10 Pieces: IX. Sostenuto, stridente' came out on May 31, 1994. With 10 Pieces: IX. Sostenuto, stridente being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 31 in the song's album "Szervanszky / Orban / Ligeti / Kurtag: Wind Quintets". In this album, this song's track order is #27. Furthermore, we believe that the track originated from Sweden. 10 Pieces: IX. Sostenuto, stridente is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 10 Pieces: IX. Sostenuto, stridente by György Ligeti, Berlin Philharmonic Wind Quintet having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Signum Quartet | E♭ Major | 0 | 5B | 72 BPM | ||
Sonata and Interludes for Prepared Piano: Sonata V | John Cage, Joanna MacGregor | G Minor | 2 | 6A | 126 BPM | ||
Umi e (Toward the Sea): I - The Night | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | F♯ Major | 0 | 2B | 71 BPM | ||
Ravel: String Quartet, M. 35: III. Très lent | Maurice Ravel, Quatuor Ébène | B Major | 0 | 1B | 80 BPM | ||
Élégie, L. 138 | Claude Debussy, Alexei Lubimov | A Minor | 0 | 8A | 73 BPM | ||
Umi e (Toward the Sea): II - Moby Dick | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | D♭ Major | 0 | 3B | 74 BPM | ||
7 Papillons: No. 3. — | Kaija Saariaho, Anssi Karttunen | D Major | 1 | 10B | 103 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: III. A tempo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | B♭ Minor | 1 | 3A | 86 BPM | ||
Poème Electronique | Edgard Varèse | A♭ Major | 0 | 4B | 70 BPM | ||
3 Pieces for String Quartet: No. 1 | Igor Stravinsky, Goldner String Quartet | D♭ Major | 3 | 3B | 131 BPM |
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