"Poème Electronique" by Edgard Varèse was released on January 1, 1998. Since Poème Electronique is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Varèse: The Complete Works by Edgard Varèse, Various Artists, Riccardo Chailly, Concertgebouworkest. The song's track number on the album is #3 out of 25 tracks. Poème Electronique is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Poème Electronique by Edgard Varèse has a tempo of 70 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Poème Electronique being at 70 BPM, the half-time would be 35 BPM with a double-time of 140 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude for Meditation | Sanggar Ceraken of Bali | E♭ Major | 0 | 5B | 78 BPM | ||
The Rite of Spring (1913 Version): Adoration of the Earth, Part I: Spring Rounds | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | G Major | 0 | 9B | 127 BPM | ||
Ionisation (Live) | Edgard Varèse, Percurama Percussion Ensemble, Alexander Henriksen, Sisse Tomczyk, Bernard Grodos, Julian Belli, Mads Hebsgaard, Lars Vestergaard, Jean Thorel, Christian Back, René C. Jørgensen, Vladimir Kaplan, Jakob Johansson, Basilias Panagiotis, Andres Ramos, Neeraj Mehta | B♭ Minor | 4 | 3A | 143 BPM | ||
Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: II | Morton Feldman, Ensemble Recherche | D Minor | 0 | 7A | 140 BPM | ||
Schlum Rooli | The BBC Radiophonic Workshop | C Minor | 2 | 5A | 163 BPM | ||
Greenwood: Popcorn Superhet Receiver:, Pt. 2 B | Jonny Greenwood, Krzysztof Penderecki, Marek Mos, AUKSO Orchestra | G Major | 6 | 9B | 156 BPM | ||
Turangalîla Symphonie: 1. Introduction | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E♭ Minor | 4 | 2A | 143 BPM | ||
Six Encores: Leaf | Luciano Berio, Andrea Lucchesini | D Major | 0 | 10B | 49 BPM | ||
Ionisation | Edgard Varèse, Pierre Boulez, New York Philharmonic | D♭ Major | 4 | 3B | 129 BPM | ||
Interval Signal | Maddalena Fagandini | F♯ Major | 2 | 2B | 84 BPM |
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