- BPM
- 88
- Key
- D Major
- Camelot
- 10B
La Precieuse (in the style of Couperin) - Samuel Sanders, Itzhak Perlman Information
- Acousticness
- 98%
- Danceability
- 50%
- Energy
- 13%
- Instrumentalness
- 0%
- Liveness
- 13%
- Loudness
- 69%
- Speechiness
- 8%
- Valence
- 77%
- Popularity
- 7%
- Loudness
- -18.886 dB
Summary
Samuel Sanders, Itzhak Perlman's ' "La Precieuse (in the style of Couperin)" was released on its scheduled release date, April 17, 2006. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. La Precieuse (in the style of Couperin)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Itzhak Perlman's "Kreisler: Collection" album is number 11 out of 42. On top of that, United Kingdom appears to be the country where this track was created. La Precieuse (in the style of Couperin) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
La Precieuse (in the style of Couperin) BPM
We consider the tempo marking of La Precieuse (in the style of Couperin) by Samuel Sanders, Itzhak Perlman to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
La Precieuse (in the style of Couperin) Key
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | |
 | Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 84 BPM | |
 | Rimsky-Korsakov / Arr. Heifetz for Violin and Piano: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Itzhak Perlman, Samuel Sanders | A Minor | 5 | 8A | 96 BPM | |
 | Liebeslied | Pinchas Zukerman, Royal Philharmonic Orchestra | A Major | 1 | 11B | 123 BPM | |
 | Elgar: Serenade for Strings, Op. 20: I. Allegro piacevole | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | E Minor | 1 | 9A | 125 BPM | |
 | The Last Rose of Summer "Étude No. 6" | Heinrich Wilhelm Ernst, Ruggiero Ricci | G Major | 1 | 9B | 102 BPM | |
 | 24 Caprices, Op. 1: No. 1 in E major | Ilya Kaler | E Major | 3 | 12B | 101 BPM | |
 | The Last Rose of Summer, "Polyphonic Study No. 6": Introduction. Moderato - Tema. Andante non troppo - Variations I, II, III, IV - Finale | Heinrich Wilhelm Ernst, Ning Feng | G Major | 1 | 9B | 115 BPM | |
 | Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | |
 | Marchenbilder (Fairy Tales), Op. 113: I. Nicht schnell | Robert Schumann, Antoine Tamestit, Eric Le Sage | E♭ Major | 1 | 5B | 111 BPM |
- ISRC
- GBAYC0600400
- Label
- L-M Records/RCA Records