- BPM
- 146
- Key
- D Minor
- Camelot
- 7A
Konzert für Klavier und Orchester Nr. 2 in c-Moll Op. 18: Finale - Eric Hammerstein, London Promenade Orchestra Information
- Acousticness
- 96%
- Danceability
- 25%
- Energy
- 30%
- Instrumentalness
- 90%
- Liveness
- 12%
- Loudness
- 78%
- Speechiness
- 3%
- Valence
- 9%
- Popularity
- 0%
- Loudness
- -12.927 dB
Summary
"Konzert für Klavier und Orchester Nr. 2 in c-Moll Op. 18: Finale" by Eric Hammerstein, London Promenade Orchestra was released on July 3, 2016. With this song being about 5 minutes long, at 4:40, "Konzert für Klavier und Orchester Nr. 2 in c-Moll Op. 18: Finale" by Eric Hammerstein, London Promenade Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 100 Werke der klassischen Musik, Vol. 1, so we believe that "Konzert für Klavier und Orchester Nr. 2 in c-Moll Op. 18: Finale" is a single. Based on our statistics, Konzert für Klavier und Orchester Nr. 2 in c-Moll Op. 18: Finale's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Konzert für Klavier und Orchester Nr. 2 in c-Moll Op. 18: Finale BPM
The tempo marking of Konzert für Klavier und Orchester Nr. 2 in c-Moll Op. 18: Finale by Eric Hammerstein, London Promenade Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 146 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
Konzert für Klavier und Orchester Nr. 2 in c-Moll Op. 18: Finale Key
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Garden Environment | Bonn Classical Philharmonic | D Minor | 0 | 7A | 75 BPM | |
 | Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | |
 | Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity (Excerpt) | Gustav Holst, Philharmonia Orchestra, Sir Simon Rattle | C Minor | 3 | 5A | 127 BPM | |
 | Songs Without Words: Frühlingslied, Op. 62 in A Major: Allegro grazioso | Felix Mendelssohn, Ilmar Lapinsch, Latvian Philharmonic Chamber Orchestra | A Major | 3 | 11B | 89 BPM | |
 | The Magic Flute: Overture | London Concert Orchestra | E♭ Major | 0 | 5B | 80 BPM | |
 | Humoresque In G Flat | Antonín Dvořák, Thomas Füri, I Salonisti, Lorenz Hasler, Ferenc Szedlak, Bela Szedlak, Werner Giger | F♯ Major | 1 | 2B | 86 BPM | |
 | 14 Romances, Op. 34: No. 14, Vocalise in E Minor (Version for Orchestra) | Sergei Rachmaninoff, Lazar Gosman, Tchaikovsky Chamber Orchestra | D Minor | 2 | 7A | 147 BPM | |
 | Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | |
| Native Theme | Bonn Classical Philharmonic | D Minor | 0 | 7A | 138 BPM | |
 | Das Rheingold: Scene 4: Entry of the Gods into Valahlla | Richard Wagner, Sofia Symphony Orchestra, Vassil Kazandjiev | D♭ Major | 0 | 3B | 87 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7633857727050781
End: 0.7671520709991455