- BPM
- 147
- Key
- D Minor
- Camelot
- 7A
14 Romances, Op. 34: No. 14, Vocalise in E Minor (Version for Orchestra) - Sergei Rachmaninoff, Lazar Gosman, Tchaikovsky Chamber Orchestra Information
- Acousticness
- 97%
- Danceability
- 27%
- Energy
- 18%
- Instrumentalness
- 82%
- Liveness
- 11%
- Loudness
- 70%
- Speechiness
- 5%
- Valence
- 5%
- Popularity
- 5%
- Loudness
- -18.046 dB
Summary
"14 Romances, Op. 34: No. 14, Vocalise in E Minor (Version for Orchestra)" by Sergei Rachmaninoff, Lazar Gosman, Tchaikovsky Chamber Orchestra was released on 1960. 14 Romances, Op. 34: No. 14, Vocalise in E Minor (Version for Orchestra) is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. There are a total of 12 in the song's album "Rachmaninoff: Greatest Hits". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, 14 Romances, Op. 34: No. 14, Vocalise in E Minor (Version for Orchestra)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
14 Romances, Op. 34: No. 14, Vocalise in E Minor (Version for Orchestra) BPM
With 14 Romances, Op. 34: No. 14, Vocalise in E Minor (Version for Orchestra) by Sergei Rachmaninoff, Lazar Gosman, Tchaikovsky Chamber Orchestra having a BPM of 147 with a half-time of 74 BPM and a double-time of 294 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
14 Romances, Op. 34: No. 14, Vocalise in E Minor (Version for Orchestra) Key
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | |
 | Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | |
 | Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | |
 | Rigaudons I, II & Double | Jean-Philippe Rameau, Víkingur Ólafsson | E Major | 3 | 12B | 106 BPM | |
 | Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | |
 | Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | |
 | Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | |
 | Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | |
 | Salut d'amour, Op. 12 | Edward Elgar, Charlie Siem, Paul Goodwin | E Major | 1 | 12B | 95 BPM | |
 | Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM |
- ISRC
- USSM10204337
- Label
- L-M Records/RCA Records
Section: 0.7730114459991455
End: 0.7770020961761475