"Traditional / Arr. Tarragó: Campanas de Belén" by Traditional, Victoria de los Ángeles, Renata Tarragó had its release date on October 6, 2023. With This song being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Songs of Andalusia. Music from the Middle Ages and Renaissance". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United Kingdom. Traditional / Arr. Tarragó: Campanas de Belén is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Traditional / Arr. Tarragó: Campanas de Belén by Traditional, Victoria de los Ángeles, Renata Tarragó having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hole in the Wall (From Abdelazer) | Henry Purcell, Bjarte Eike, Barokksolistene | B♭ Major | 3 | 6B | 110 BPM | ||
Suite No. 1 in C Major: II. Spagnoletta | Michael Praetorius, The New York Renaissance Band, Sally Logemann | C Major | 0 | 8B | 112 BPM | ||
Oh Lord Hear My Voice (Psalm 27) | James Morgan, Juliette Pochin, Poor Clare Sisters Arundel | A♭ Major | 1 | 4B | 144 BPM | ||
The Bluebird | Charles Villiers Stanford, The Choral Project | B Major | 0 | 1B | 91 BPM | ||
Mr. Beveridge's Magot | The Broadside Band | G Minor | 2 | 6A | 111 BPM | ||
Ola, o che bon eccho! | Orlande de Lassus, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 1 | 2A | 63 BPM | ||
Op. 12, Memory Eternal | St.Petersburg Chamber Choir, Nikolai Korniev | D Minor | 1 | 7A | 87 BPM | ||
Blessed Is The Man Who Seeks No Councel Among The Impious | "The Orthodox Singers" Male Choir, Georgiy Smirnov | F Major | 0 | 7B | 127 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM | ||
Pavane | Pierre Attaingnant, Ronn McFarlane | G Minor | 1 | 6A | 96 BPM |