"Op. 12, Memory Eternal" by St.Petersburg Chamber Choir, Nikolai Korniev was released on December 4, 2020. With Op. 12, Memory Eternal being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Pavel Chesnokov, Sacred Compositions (Vol.3)". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Russia. Op. 12, Memory Eternal is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Op. 12, Memory Eternal by St.Petersburg Chamber Choir, Nikolai Korniev having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Preparation for the Final Mystery - Realised by Alexander Nemtin - Part 3 - Transfiguration: Misterioso, avec une ardeur profonde et voilée | Alexander Scriabin, Alexander Lubimov, Thomas Trotter, St.Petersburg Chamber Choir, Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy | B♭ Minor | 3 | 3A | 48 BPM | ||
On Flute I Play my Sad Verses | St. Petersburg Optina Pustyn Male Choir | B♭ Major | 2 | 6B | 89 BPM | ||
O mater sempter alma | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | D Minor | 0 | 7A | 79 BPM | ||
Dnes' vsyakaya tvar' (Today all creation) | Stepan Dekhtaryov, Larissa Liubashevskaya, Elena Fedotova, Rita Stavash, Vladimir Mostovoy, Alexei Buzakin, St.Petersburg Chamber Choir, Nikolai Korniev | C Major | 1 | 8B | 77 BPM | ||
Responsorios: O vos omnes (a 4 v.g.) - Remastered | Schola Cantorum de la Universidad Pontificia de Comillas | D Major | 2 | 10B | 126 BPM | ||
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Annunciation of the Procession | Komitas, Latvian Radio Choir, Sigvards Kļava | D Major | 2 | 10B | 77 BPM | ||
Priidite poklonimsya (O come let us worship) | Konstantin Shvedov, St.Petersburg Chamber Choir, Nikolai Korniev | G Minor | 0 | 6A | 127 BPM | ||
Pesnopeniya i molitvi (Canticles and Prayers): The Nativity of Christ: Glory to the most Holy Trinity | Georgy Sviridov, Credo Chamber Choir, Bogdan Plish | A♭ Minor | 2 | 1A | 90 BPM | ||
А. Arensky, Ор. 40, No. 2, We Hymn Thee | St.Petersburg Chamber Choir, Nikolai Korniev | D Major | 0 | 10B | 77 BPM | ||
St. John Passion: XI. Die seiben Schalen des Zorns | Sofia Gubaidulina, Natalia Korneva, Victor Lutsiuk, Fedor Mozhaev, Gennady Bezzubenkov, St.Petersburg Chamber Choir, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev | E Major | 1 | 12B | 78 BPM |
Section: 0.5028910636901855
End: 0.507598876953125