- BPM
- 76
- Key
- F Major
- Camelot
- 7B
Parisian Sketch (From 'the Hemingway Play") - London Symphony Orchestra, Charles Gerhardt, Lee Holdridge Information
- Acousticness
- 93%
- Danceability
- 19%
- Energy
- 3%
- Instrumentalness
- 48%
- Liveness
- 10%
- Loudness
- 56%
- Speechiness
- 3%
- Valence
- 9%
- Popularity
- 4%
- Loudness
- -26.343 dB
Summary
"Parisian Sketch (From 'the Hemingway Play")" by London Symphony Orchestra, Charles Gerhardt, Lee Holdridge was released on September 6, 2016. The duration of Parisian Sketch (From 'the Hemingway Play") is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Parisian Sketch (From 'the Hemingway Play")'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 13 in East of Eden: Motion Picture and Television Scores of Lee Holdridge by London Symphony Orchestra, Charles Gerhardt, Lee Holdridge. Parisian Sketch (From 'the Hemingway Play") is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Parisian Sketch (From 'the Hemingway Play") BPM
The tempo marking of Parisian Sketch (From 'the Hemingway Play") by London Symphony Orchestra, Charles Gerhardt, Lee Holdridge is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Parisian Sketch (From 'the Hemingway Play") Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | |
 | U-Boats | Alexandre Desplat, London Symphony Orchestra | A Minor | 3 | 8A | 180 BPM | |
 | Walkürenritt (Ride of the Valkyries) | Richard Wagner, Gustav Kuhn | G Major | 4 | 9B | 91 BPM | |
 | Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | |
 | Tannhäuser Overture | Richard Wagner, London Symphony Orchestra, Yondani Butt | B Major | 0 | 1B | 73 BPM | |
 | Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | E♭ Major | 1 | 5B | 123 BPM | |
 | Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": I. Allegro vivace | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | A Major | 1 | 11B | 115 BPM | |
 | Carmina Burana: X. Were diu werlt alle min | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | C Major | 2 | 8B | 143 BPM | |
 | II. Allegretto (excerpt) from Symphony No. 7 in A Major, Op. 92 - Instrumental | Ludwig van Beethoven, Sir Georg Solti, London Symphony Orchestra | E Minor | 0 | 9A | 67 BPM | |
 | Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6941311359405518
End: 0.6984028816223145