Michael Nyman, Valentina Lisitsa's 'The Draughtman’s Contract: Chasing Sheep Is Best Left To Shepherds' came out on January 1, 2014. The duration of The Draughtman’s Contract: Chasing Sheep Is Best Left To Shepherds is about 3 minutes long, at 3:17. Based on our data, "The Draughtman’s Contract: Chasing Sheep Is Best Left To Shepherds" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 25 in Chasing Pianos - The Piano Music Of Michael Nyman by Michael Nyman, Valentina Lisitsa. Based on our statistics, The Draughtman’s Contract: Chasing Sheep Is Best Left To Shepherds's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Draughtman’s Contract: Chasing Sheep Is Best Left To Shepherds by Michael Nyman, Valentina Lisitsa is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mandolin Concerto In C Major, RV 425: 2. Largo | Antonio Vivaldi, Avi Avital, Venice Baroque Orchestra | A Minor | 0 | 8A | 79 BPM | ||
Polifemo: Alto giove (Air d'Acio) - Instrumental Version | Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska, Derek Lee Ragin | E♭ Minor | 0 | 2A | 141 BPM | ||
Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Mikhail Rudy, Mariss Jansons, London Philharmonic Orchestra | C Major | 1 | 8B | 68 BPM | ||
Sur le fil - From "Amelie From Montmartre" | Music Lab Collective, Valentina Lisitsa | E Minor | 1 | 9A | 55 BPM | ||
Concerto for Clarinet and Orchestra No. 3 in F Major "Il Mezzetino": III. Andante | Antonio Vivaldi, Martin Fröst, Concerto Köln | E Minor | 0 | 9A | 119 BPM | ||
Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": 1. Adagio sostenuto | Valentina Lisitsa | D♭ Minor | 0 | 12A | 70 BPM | ||
Nocturne No. 5 in B Flat Major, H.37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Sonata No. 2 en la menor para Violin, BWV 1003 | Pablo Casals, Jacques Thibaud, Alfred Cortot | D Major | 2 | 10B | 90 BPM | ||
Improvisation No. 1 | Gabriela Montero | A♭ Minor | 1 | 1A | 108 BPM |
Section: 0.680884599685669
End: 0.6850016117095947