"Messe a 8 voix et 8 violons et flutes, H. 3: Sinfonie apres le Christe" by Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet was released on January 1, 2006. With Messe a 8 voix et 8 violons et flutes, H. 3: Sinfonie apres le Christe being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 40 in Charpentier, M.-A.: Messe A 8 Voix Et 8 Violons Et Flutes / Te Deum A 8 Voix Avec Flutes Et Violons by Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Messe a 8 voix et 8 violons et flutes, H. 3: Sinfonie apres le Christe is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Messe a 8 voix et 8 violons et flutes, H. 3: Sinfonie apres le Christe by Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concert de Trompettes: 2e Air des Echos | Michel Richard Delalande, La Simphonie Du Marais, Hugo Reyne | C Major | 2 | 8B | 105 BPM | ||
Suite pour quatre parties de violes, H. 545: 6. Passecaille | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | D♭ Minor | 3 | 12A | 109 BPM | ||
Beatus vir: II. Exortum est | Domenico Zipoli, Florilegium, Bolivian Soloists | D♭ Minor | 0 | 12A | 135 BPM | ||
Salve Regina in C minor (1736): 1. Salve Regina | Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E Minor | 1 | 9A | 99 BPM | ||
Charpentier: Te Deum, H. 146: VIII. Te ergo quaesumus | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Dawn Upshaw, Kurt Moll | A Minor | 2 | 8A | 73 BPM | ||
Historia der Auferstehung Jesu Christi, SWV 50: I. Introitus. Die Auferstehung unsers Herren Jesu Christi | Heinrich Schütz, Margret Baumgartl, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 169 BPM | ||
Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM | ||
Der Herr ist mit mir, BuxWV 15 | Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van Immerseel | C Minor | 1 | 5A | 72 BPM | ||
Vivaldi: Gloria in D Major, RV 589: VII. Dominie Fili Unigenite | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | E Major | 3 | 12B | 135 BPM | ||
Dixit Dominus, HWV 232: 8. De torrente in via bibet | George Frideric Handel, Arleen Auger, Lynne Dawson, Orchestra of Westminster Abbey, Simon Preston | D Major | 4 | 10B | 77 BPM |
Section: 1.0093483924865723
End: 1.8148365020751953