Sofia Gubaidulina, Torleif Thedéen, 御喜美江, Mario Venzago, Gothenburg Symphony Orchestra's 'Seven Words (Sieben Worte) for Cello, bayan (accordion) and strings: I. Vater, vergib ihnen, denn sie wissen nicht, was sie tun' had a release date set for March 11, 2014. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 50 in Best - Sofia Gubaidulina by Sofia Gubaidulina, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Based on our statistics, Seven Words (Sieben Worte) for Cello, bayan (accordion) and strings: I. Vater, vergib ihnen, denn sie wissen nicht, was sie tun's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Seven Words (Sieben Worte) for Cello, bayan (accordion) and strings: I. Vater, vergib ihnen, denn sie wissen nicht, was sie tun by Sofia Gubaidulina, Torleif Thedéen, 御喜美江, Mario Venzago, Gothenburg Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Uaxuctum: III. — | Giacinto Scelsi, Concentus Vocalis Griesensis, Vienna Radio Symphony Orchestra, Peter Rundel | B♭ Major | 0 | 6B | 85 BPM | ||
Concerto grosso no.1 (1976-77): 1. Preludio: Andante | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | C Minor | 0 | 5A | 93 BPM | ||
Louange à l'Éternité de Jésus (From "Quartet for the End of Time") | Olivier Messiaen, Yo-Yo Ma, Kathryn Stott | E Major | 0 | 12B | 83 BPM | ||
7 Worte (7 Words): VII. Vater, ich befehle meinen Geist in deine Hande | Sofia Gubaidulina, Torleif Thedéen, 御喜美江, Gothenburg Symphony Orchestra, Mario Venzago | C Major | 0 | 8B | 95 BPM | ||
12 Notations pour piano: I Fantasque - Modéré | Pierre Boulez, David Fray | D♭ Major | 0 | 3B | 79 BPM | ||
4 Pezzi (Su una nota sola): I. — | Giacinto Scelsi, Vienna Radio Symphony Orchestra, Peter Rundel | B♭ Major | 0 | 6B | 87 BPM | ||
Prélude à l’après-midi d’un faune, CD 87 (Arr. for Octet by G. Steele Johnson) | Claude Debussy, Graeme Steele Johnson, Ji Weon Ryu, Han Lash, Bora Kim, Rachel Loseke, Matthew Cohen, Yun Han, Kohei Yamaguchi | F Minor | 2 | 4A | 140 BPM | ||
44 Duos For Two Violins, Sz. 98: 15. Katonanóta | Béla Bartók, Daniel Hope, Daniel Lozakovich | D Major | 0 | 10B | 0 BPM | ||
Sonatas and Interludes for Prepared Piano: Sonata No. 3 | John Cage, Boris Berman | D♭ Major | 3 | 3B | 95 BPM | ||
Pro et contra: I. — | Sofia Gubaidulina, NDR Radiophilharmonie, Johannes Kalitzke | G Major | 3 | 9B | 103 BPM |