Raymond H.C. Warren, Royal Ballet Sinfonia, Gavin Sutherland made "Wexford Bells - Suite on old Irish tunes (1970): Shepherds' Dance" available on January 1, 2007. The duration of Wexford Bells - Suite on old Irish tunes (1970): Shepherds' Dance is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Wexford Bells - Suite on old Irish tunes (1970): Shepherds' Dance's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 46 in the song's album "The British Light Music Collection 1". In this album, this song's track order is #12. The popularity of Wexford Bells - Suite on old Irish tunes (1970): Shepherds' Dance is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Wexford Bells - Suite on old Irish tunes (1970): Shepherds' Dance by Raymond H.C. Warren, Royal Ballet Sinfonia, Gavin Sutherland having a BPM of 161 with a half-time of 80 BPM and a double-time of 322 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Siegfried: Forest Murmurs | Richard Wagner, George Szell, Cleveland Orchestra | A Major | 0 | 11B | 67 BPM | ||
Valse triste from Kuolema, Op.44 | Jean Sibelius, Leonard Bernstein, New York Philharmonic | G Major | 0 | 9B | 86 BPM | ||
Vocalise, Op. 34, No. 14 (Arr. for Flute and Orchestra) | Sergei Rachmaninoff, James Galway, Charles Gerhardt, National Philharmonic Orchestra | G Minor | 2 | 6A | 80 BPM | ||
Symphony No. 5 in C Sharp Minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | F Major | 1 | 7B | 114 BPM | ||
Parsifal Wagner - Good Friday Spell | Gerard Schwarz | D Major | 0 | 10B | 75 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 3: The Death of Åse | Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 0 | 9B | 87 BPM | ||
Appalachian Spring: VII. Doppio movimento | Aaron Copland, Leonard Bernstein, New York Philharmonic | D♭ Major | 1 | 3B | 78 BPM | ||
Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Staatskapelle Dresden, Silvio Varviso | F Major | 0 | 7B | 88 BPM | ||
Wexford Bells - Suite on old Irish tunes (1970): Shepherds' Dance | Raymond H.C. Warren, Royal Ballet Sinfonia, Gavin Sutherland | F Major | 0 | 7B | 161 BPM | ||
Ancient Airs And Dances, Suite No.1, [P. 109]: 4. Passo mezzo e Mascherada | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | D Major | 2 | 10B | 124 BPM |
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