Pyotr Ilyich Tchaikovsky, Orchestre National De France, Mstislav Rostropovich, R.T.F. Maitrise De Radio France, Choeur Tchaikovsky's 'Pique Dame, Op. 68, TH. 10 / Act I: "Gori, gori yasno"' came out on January 1, 1977. With this song being about 5 minutes long, at 5:07, "Pique Dame, Op. 68, TH. 10 / Act I: "Gori, gori yasno"" by Pyotr Ilyich Tchaikovsky, Orchestre National De France, Mstislav Rostropovich, R.T.F. Maitrise De Radio France, Choeur Tchaikovsky is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 53 in the song's album "Tchaikovsky: Pique Dame". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Pique Dame, Op. 68, TH. 10 / Act I: "Gori, gori yasno" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pique Dame, Op. 68, TH. 10 / Act I: "Gori, gori yasno" by Pyotr Ilyich Tchaikovsky, Orchestre National De France, Mstislav Rostropovich, R.T.F. Maitrise De Radio France, Choeur Tchaikovsky having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
J. Strauss II: Voices of Spring, Op. 410 | Johann Strauss II, Hallé, Bryden Thomson | B♭ Major | 0 | 6B | 103 BPM | ||
Les saisons (The Seasons), Op. 37b: XI. November: Troika | Ilya Rachkovsky | E Major | 0 | 12B | 74 BPM | ||
Five Pieces For Two Violins and Piano: I. Prelude | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Major | 0 | 9B | 85 BPM | ||
Rêverie, L. 68: Rêverie | Claude Debussy, Jean-Yves Thibaudet | G Minor | 0 | 6A | 69 BPM | ||
Raymonda, Op. 57: Act I - Pizzicato | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Major | 0 | 10B | 104 BPM | ||
Gaîté parisienne: Barcarolle | Jacques Offenbach, Boston Symphony Orchestra, Seiji Ozawa | A Minor | 0 | 8A | 135 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
Liebesfreud | Fritz Kreisler, Joshua Bell, Paul Coker | F Major | 1 | 7B | 99 BPM | ||
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia | Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi | E♭ Major | 2 | 5B | 49 BPM |
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