Wolfgang Amadeus Mozart, William Shimell's 'Mozart: Don Giovanni, K. 527, Act 2 Scene 1: Recitativo, "Leporello! … Signore?" (Don Giovanni, Leporello)' came out on October 31, 1988. The duration of Mozart: Don Giovanni, K. 527, Act 2 Scene 1: Recitativo, "Leporello! … Signore?" (Don Giovanni, Leporello) is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Mozart: Don Giovanni, K. 527, Act 2 Scene 1: Recitativo, "Leporello! … Signore?" (Don Giovanni, Leporello)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 16 out of 214. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Mozart: Don Giovanni, K. 527, Act 2 Scene 1: Recitativo, "Leporello! … Signore?" (Don Giovanni, Leporello) is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Mozart: Don Giovanni, K. 527, Act 2 Scene 1: Recitativo, "Leporello! … Signore?" (Don Giovanni, Leporello) by Wolfgang Amadeus Mozart, William Shimell to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La traviata / Act 2: "Non sapete quale affetto" | Giuseppe Verdi, Anna Netrebko, Thomas Hampson, Wiener Philharmoniker, Carlo Rizzi | F Minor | 1 | 4A | 86 BPM | ||
Rossini: Il barbiere di Siviglia, Act 2: Recitativo. "Ah! barbiere d'inferno" (Bartolo, Basilio) | Gioachino Rossini, James Levine, Renato Capecchi, Ruggero Raimondi, London Symphony Orchestra | G Major | 2 | 9B | 117 BPM | ||
Il Trovatore / Act 1: "Tacea la notte!" | Giuseppe Verdi, Ingvar Wixell, National Philharmonic Orchestra, Richard Bonynge | C Major | 1 | 8B | 97 BPM | ||
Verdi: Aida, Act 4: "No, vive Aida!....Vive!" (Amneris, Radamès) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | C Major | 3 | 8B | 118 BPM | ||
Die Fledermaus / Act 1: Dialog: Sag mal, also statt fünf musst du acht Tage | Johann Strauss II, Julia Varady, Hermann Prey, Lucia Popp, Bernd Weikl | D♭ Major | 1 | 3B | 139 BPM | ||
Carmen (1997 - Remaster), Act III: Quant au douanier, c'est notre affaire | Georges Bizet, Maria Callas, Nadine Sautereau, Jane Berbié, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | F♯ Major | 2 | 2B | 131 BPM | ||
Don Giovanni, K. 527: Guarda un po'... | Wolfgang Amadeus Mozart, Malcolm King, Ruggero Raimondi, Teresa Berganza, Lorin Maazel | G Minor | 3 | 6A | 126 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: A voi però giurerei fede costante (Yamadori/Sharpless/Goro/Butterfly) | Giacomo Puccini, Renata Scotto, Rolando Panerai, Piero de Palma, Giuseppe Morresi, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | A♭ Major | 1 | 4B | 90 BPM | ||
Lucia di Lammermoor / Act 2: "Soffriva nel pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 4 | 10B | 108 BPM | ||
Otello, ossia Il moro di Venezia: Act III: Scene, Air, Duet and Finale III: Ah!… Dagli affanni oppressa (Desdemona, Emilia) | Gioachino Rossini, Michael Spyres, Jessica Pratt, Ugo Guagliardo, Filippo Adami, Giorgio Trucco, Geraldine Chauvet, Sean Spyres, Hugo Colin, Leonardo Cortellazzi, Transylvania State Philharmonic Choir, Virtuosi Brunensis, Antonino Fogliani | D Major | 7 | 10B | 100 BPM |
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