Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra's 'Verdi: Aida, Act 4: "No, vive Aida!....Vive!" (Amneris, Radamès)' came out on 1974. The duration of Verdi: Aida, Act 4: "No, vive Aida!....Vive!" (Amneris, Radamès) is about 3 minutes long, at 3:00. Based on our data, "Verdi: Aida, Act 4: "No, vive Aida!....Vive!" (Amneris, Radamès)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi: Aida by Giuseppe Verdi, Riccardo Muti. The song's track number on the album is #16 out of 55 tracks. In terms of popularity, Verdi: Aida, Act 4: "No, vive Aida!....Vive!" (Amneris, Radamès) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: Aida, Act 4: "No, vive Aida!....Vive!" (Amneris, Radamès) by Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra has a tempo of 118 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Verdi: Aida, Act 4: "No, vive Aida!....Vive!" (Amneris, Radamès) being at 118 BPM, the half-time would be 59 BPM with a double-time of 236 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 2: "C'est moi, Coppélius" | Jacques Offenbach, Gabriel Bacquier, Claudia Eder, Plácido Domingo, Orchestre National De France, Seiji Ozawa | A♭ Major | 0 | 4B | 202 BPM | ||
Alonso, Francisco: Coplas de Ronda: Serenata, "Bella niña de ojos negros" | Francisco Alonso, Plácido Domingo, Manuel Moreno-Buendia, Orquesta Sinfónica de Madrid | G Major | 3 | 9B | 115 BPM | ||
Un ballo in maschera / Act 1: "Volta la terrea" | Giuseppe Verdi, Sona Ghazarian, José Carreras, Robin Leggate, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | B♭ Minor | 1 | 3A | 80 BPM | ||
Les Contes d'Hoffmann / Act 2: Une poupée aux yeux d'émail | Jacques Offenbach, Huguette Tourangeau, Plácido Domingo, L'Orchestre de la Suisse Romande, Richard Bonynge | G Major | 1 | 9B | 130 BPM | ||
Il Trovatore / Act 4: "Che! Non m'inganno! Quel fioco lume..." - Live | Giuseppe Verdi, Leontyne Price, Giulietta Simionato, Franco Corelli, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 3 | 6B | 99 BPM | ||
Rigoletto, Act I: Partite? Crudele! | Giuseppe Verdi, Francesco Demuro, Eglė Šidlauskaitė, Tomas Pavilionis, Dmitri Hvorostovsky, Kaunas State Choir, Kaunas City Symphony Orchestra, Constantine Orbelian | A♭ Major | 1 | 4B | 82 BPM | ||
Mozart: Don Giovanni, K. 527, Act 2 Scene 11: No. 22, Duetto, "O statua gentilissima" (Leporello, Don Giovanni, Commendatore) | Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker | B Major | 2 | 1B | 138 BPM | ||
Torna a Surriento | Ernesto de Curtis, Plácido Domingo | C Minor | 2 | 5A | 98 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1: "Or sai chi l'onore" (Donna Anna) | Wolfgang Amadeus Mozart, Riccardo Muti, Cheryl Studer, Wiener Philharmoniker | D Major | 2 | 10B | 84 BPM | ||
Don Pasquale, Act I Quinta Scena: Mi volete fiera? (Norina/Malatesta) | Gaetano Donizetti, Leo Nucci/Mirella Freni/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | A♭ Major | 2 | 4B | 130 BPM |
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