"Herr Tristan trete nah (Tristan und Isolde)" by Benno Arnold, Margarete Klose, Chor Der Staatsoper Berlin, Jaro Prohaska, Max Lorenz, Ludwig Hofmann, Erich Zimmermann, Eugen Fuchs, Paula Buchner, Staatskapelle Berlin, Felix Fleischer was released on August 24, 2006. Herr Tristan trete nah (Tristan und Isolde) appears to be safe for all ages as it is not explicit. There are a total of 30 in the song's album "Tristan und Isolde". In this album, this song's track order is #6. Herr Tristan trete nah (Tristan und Isolde) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Herr Tristan trete nah (Tristan und Isolde) by Benno Arnold, Margarete Klose, Chor Der Staatsoper Berlin, Jaro Prohaska, Max Lorenz, Ludwig Hofmann, Erich Zimmermann, Eugen Fuchs, Paula Buchner, Staatskapelle Berlin, Felix Fleischer having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Opp.46 & 55, Excerpts, Suite No. 2, Op.55: Arab Dance | Paavo Berglund | E Minor | 1 | 9A | 124 BPM | ||
Final Circus | Christian Lindberg, Símon Bolívar Symphony Orchestra | G Major | 6 | 9B | 184 BPM | ||
Variations on a Theme by Tchaikovsky, Op. 35a: VII. Var. VI. Allegro con Spirito | Pyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico Famà | C Minor | 1 | 5A | 140 BPM | ||
Eugene Onegin, Op. 24, Act III: Polonaise | Pyotr Iljitsch Tschaikowsky, Sir Neville Marriner, Radio-Sinfonieorchester Stuttgart | G Major | 3 | 9B | 101 BPM | ||
Symphony No. 2 in E-Flat Major, Op. 63: III. Rondo (Presto) | Edward Elgar, Hallé, Sir Mark Elder | D Major | 1 | 10B | 134 BPM | ||
Wagner: Die Meistersinger von Nurnberg: Lass seh'n, ob Meister Sachs zu Haus? - Act Two | Richard Wagner, Jaro Prohaska, Josef Greindl, Max Lorenz, Maria Müller, Erich Zimmermann, Eugen Fuchs, Benno Arnold, Helmut Fehn, Fritz Krenn, Gerhard Witting, Gustaf Roding, Karl Krollman, Herbert Gosebruch, Franz Sauer, Alfred Dome, Camilla Kallab, Erich Pina | B♭ Major | 2 | 6B | 138 BPM | ||
To a Wild Rose | Andre Kostelanetz & His Orchestra, Andre Kostelanetz | A Major | 1 | 11B | 137 BPM | ||
Piano Concerto No. 2 in A Major, S. 125: Allegro animato | Franz Liszt, André Watts, Andrew Litton, Dallas Symphony Orchestra | A Major | 3 | 11B | 95 BPM | ||
Quartet In D The Randolph | George Fenton | D Major | 0 | 10B | 120 BPM | ||
Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Act III Scene 5: Procession of the Guilds | Richard Wagner, Maria Müller, Camilla Kallab, Max Lorenz, Jaro Prohaska, Josef Greindl, Benno Arnold, Helmut Fehn, Eugen Fuchs, Fritz Krenn, Gerhard Witting, Karl Krollmann, Herbert Gosebruch, Gustav Rödin, Franz Sauer, Alfred Dome, Erich Zimmermann, Erich Pina, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wilhelm Furtwängler | G Major | 0 | 9B | 76 BPM |
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