Franz Liszt, André Watts, Andrew Litton, Dallas Symphony Orchestra's 'Piano Concerto No. 2 in A Major, S. 125: Allegro animato' came out on March 1, 1996. With Piano Concerto No. 2 in A Major, S. 125: Allegro animato being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in André Watts, Andrew Litton, Dallas Symphony Orchestra's "MacDowell: Piano Concerto No. 2 - Liszt: Piano Concertos Nos. 1 & 2" album is number 13 out of 13. On top of that, United States appears to be the country where this track was created. In terms of popularity, Piano Concerto No. 2 in A Major, S. 125: Allegro animato is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No. 2 in A Major, S. 125: Allegro animato by Franz Liszt, André Watts, Andrew Litton, Dallas Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.1: Aragonaise | Georges Bizet, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | D Minor | 1 | 7A | 114 BPM | ||
Preliudai (Preludes): Preludias, Op. 12, No. 1: Lento | Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas Domarkas | E Minor | 0 | 9A | 82 BPM | ||
Orchestral Sounds | Anton Bruckner, Rundfunk Sinfonieorchester Berlin, Heinz Rögner | A Minor | 0 | 8A | 84 BPM | ||
Impromptu "Nocturne", S. 191 | Franz Liszt, Vladimir Horowitz | D♭ Minor | 2 | 12A | 70 BPM | ||
Symphony No. 1 in D, Op. 25 "Classical Symphony": 2. Larghetto | Sergei Prokofiev, No Borders Orchestra, Premil Petrovic | E Major | 0 | 12B | 76 BPM | ||
Le Carnaval de Venise, S. 700 | Franz Liszt, Goran Filipec | E Major | 0 | 12B | 68 BPM | ||
Shchedrin: Carmen Suite: V. Carmen’s Entrance and Habanera (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | D♭ Major | 4 | 3B | 154 BPM | ||
Polovtsian Dances from Prince Igor: V. Presto | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | A Major | 4 | 11B | 184 BPM | ||
Lohengrin, WWV 75, Act III: Prelude (Excerpt) | Richard Wagner, Russian State Symphony Orchestra, John McGlinn | G Major | 3 | 9B | 76 BPM | ||
Concert Suite from the opera 'The Golden Cockerel': 2. King Dodon on the battlefield | Bournemouth Symphony Orchestra, Paavo Berglund | D♭ Major | 0 | 3B | 115 BPM |
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