Piano Concerto No. 2 in A Major, S. 125: Allegro animato
Franz Liszt, André Watts, Andrew Litton, Dallas Symphony Orchestra
MacDowell: Piano Concerto No. 2 - Liszt: Piano Concertos Nos. 1 & 2
1:47 March 1, 1996
BPM
95
Key
A Major
Camelot
11B

Embed

Share Link

Piano Concerto No. 2 in A Major, S. 125: Allegro animato - Franz Liszt, André Watts, Andrew Litton, Dallas Symphony Orchestra Information

Acousticness
95%
Danceability
37%
Energy
26%
Instrumentalness
90%
Liveness
6%
Loudness
75%
Speechiness
3%
Valence
25%
Popularity
Loudness
-14.844 dB

Summary

Franz Liszt, André Watts, Andrew Litton, Dallas Symphony Orchestra's 'Piano Concerto No. 2 in A Major, S. 125: Allegro animato' came out on March 1, 1996. With Piano Concerto No. 2 in A Major, S. 125: Allegro animato being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in André Watts, Andrew Litton, Dallas Symphony Orchestra's "MacDowell: Piano Concerto No. 2 - Liszt: Piano Concertos Nos. 1 & 2" album is number 13 out of 13. On top of that, United States appears to be the country where this track was created. In terms of popularity, Piano Concerto No. 2 in A Major, S. 125: Allegro animato is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Piano Concerto No. 2 in A Major, S. 125: Allegro animato BPM

We consider the tempo marking of Piano Concerto No. 2 in A Major, S. 125: Allegro animato by Franz Liszt, André Watts, Andrew Litton, Dallas Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Piano Concerto No. 2 in A Major, S. 125: Allegro animato Key

A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.1: Aragonaise by Georges Bizet, Radio-Sinfonieorchester Stuttgart, Sir Neville MarrinerCarmen-Suite Nr.1 und Nr.2 (excerpts), Nr.1: AragonaiseGeorges Bizet, Radio-Sinfonieorchester Stuttgart, Sir Neville MarrinerD Minor17A114 BPM
Preliudai (Preludes): Preludias, Op. 12, No. 1: Lento by Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas DomarkasPreliudai (Preludes): Preludias, Op. 12, No. 1: LentoMikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas DomarkasE Minor09A82 BPM
Orchestral Sounds by Anton Bruckner, Rundfunk Sinfonieorchester Berlin, Heinz RögnerOrchestral SoundsAnton Bruckner, Rundfunk Sinfonieorchester Berlin, Heinz RögnerA Minor08A84 BPM
Impromptu Impromptu "Nocturne", S. 191Franz Liszt, Vladimir HorowitzD♭ Minor212A70 BPM
Symphony No. 1 in D, Op. 25 Symphony No. 1 in D, Op. 25 "Classical Symphony": 2. LarghettoSergei Prokofiev, No Borders Orchestra, Premil PetrovicE Major012B76 BPM
Le Carnaval de Venise, S. 700 by Franz Liszt, Goran FilipecLe Carnaval de Venise, S. 700Franz Liszt, Goran FilipecE Major012B68 BPM
Shchedrin: Carmen Suite: V. Carmen’s Entrance and Habanera (after Bizet's opera) by Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail PletnevShchedrin: Carmen Suite: V. Carmen’s Entrance and Habanera (after Bizet's opera)Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail PletnevD♭ Major43B154 BPM
Polovtsian Dances from Prince Igor: V. Presto by Alexander Borodin, Chicago Symphony Orchestra, Daniel BarenboimPolovtsian Dances from Prince Igor: V. PrestoAlexander Borodin, Chicago Symphony Orchestra, Daniel BarenboimA Major411B184 BPM
Lohengrin, WWV 75, Act III: Prelude (Excerpt) by Richard Wagner, Russian State Symphony Orchestra, John McGlinnLohengrin, WWV 75, Act III: Prelude (Excerpt)Richard Wagner, Russian State Symphony Orchestra, John McGlinnG Major39B76 BPM
Concert Suite from the opera 'The Golden Cockerel': 2. King Dodon on the battlefield by Bournemouth Symphony Orchestra, Paavo BerglundConcert Suite from the opera 'The Golden Cockerel': 2. King Dodon on the battlefieldBournemouth Symphony Orchestra, Paavo BerglundD♭ Major03B115 BPM
ISRC
USTE10413429
Label
L-M Records/RCA Records

Section: 0.9480352401733398

End: 0.9531059265136719