Georges Bizet, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner's 'Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.1: Aragonaise' had a release date set for December 31, 1985. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.1: Aragonaise's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 15 in Barcarole - Beliebte Orchesterstücke by Sir Neville Marriner, Radio Sinfonieorchester Stuttgart, Sir Neville Marriner, Radio-Sinfonieorchester Stuttgart. In terms of popularity, Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.1: Aragonaise is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.1: Aragonaise by Georges Bizet, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 1/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: VII. Death of Tybalt | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | C Major | 2 | 8B | 72 BPM | ||
Illusion, Op. 1, No. 2 | Selim Palmgren, Camerata Finlandia, Jorma Panula | E Minor | 0 | 9A | 172 BPM | ||
Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM | ||
Les Sylphides: Waltz in G-Flat Major, Op. 70 No. 1 (Orch. Douglas) | Frédéric Chopin, Paris Conservatoire Orchestra, Roger Desormiere | E Major | 3 | 12B | 117 BPM | ||
Four Dance Episodes from "Rodeo" (1999 Digital Remaster): Transition_Corral Nocturne | Aaron Copland, Sir Neville Marriner/Minnesota Orchestra, Sir Neville Marriner, Minnesota Orchestra | C Major | 0 | 8B | 83 BPM | ||
Armida: Sinfonia | Gioachino Rossini, José Miguel Pérez-Sierra, Krakow Philharmonic Orchestra | D Major | 4 | 10B | 74 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act IV: No. 13, Barcarolle, "Belle nuit, ô nuit d'amour" (Orchestral Version) | Jacques Offenbach, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | D Major | 1 | 10B | 88 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): Galop (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | A Major | 4 | 11B | 162 BPM | ||
Die Reise um die Erde in 80 Tagen (Version Without Narration): IIb. Allegro con fuoco | Franz von Suppé, Janacek Philharmonic Orchestra, Dario Salvi | D♭ Minor | 4 | 12A | 147 BPM | ||
The Can Can | Jacques Offenbach, Philharmonia Orchestra, Sir Neville Marriner | D Major | 7 | 10B | 82 BPM |