George Fenton made "Quartet In D The Randolph" available on January 1, 1993. With Quartet In D The Randolph being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Shadowlands (Original Film Soundtrack)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, Quartet In D The Randolph's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Quartet In D The Randolph by George Fenton having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 6 In F, Op. 68, "Pastoral" Andante Molto Mosso (excerpt) | The Royal Festival Orchestra, William Bowles | B♭ Major | 1 | 6B | 118 BPM | ||
The Puffins | George Fenton | F Major | 0 | 7B | 90 BPM | ||
Oboe Concerto in D Major, TrV 292: I. Allegro moderato | Richard Strauss, Copenhagen Philharmonic Orchestra, Toshiyuki Kamioka | D Major | 1 | 10B | 77 BPM | ||
Seven Last Words of Christ, Op. 51, Hob. XX:1: I. Introduzione. Adagio | Franz Joseph Haydn, Panocha Quartet | D Minor | 0 | 7A | 182 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: III. Allegro maestoso I | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | E♭ Major | 2 | 5B | 127 BPM | ||
Madrigale | Frank Kim | D Major | 1 | 10B | 101 BPM | ||
Chansons d'Hiroshima (Songs of Hiroshima - Hiroshima no Uta): III. Con sentimento | Yuzo Toyama, Ryo Kojima, Keigo Mukawa | G Minor | 0 | 6A | 130 BPM | ||
4 Songs, Op. 2, B. 124: No. 4, Everything's still (Arr. B. Zaslav for viola and piano) | Antonín Dvořák, The Zaslav Duo | B Major | 1 | 1B | 174 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto (1) | Sergei Rachmaninoff, Klára Würtz, Ukraine National Symphony Orchestra, Vladimir Sirenko | E Major | 0 | 12B | 46 BPM | ||
Dragonfly and Introduction | George Fenton | D♭ Major | 1 | 3B | 120 BPM |
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