"Piano Concerto No. 1 in E Minor: I. Allegro patetico" by Emil von Sauer, Stephen Hough, City Of Birmingham Symphony Orchestra, Lawrence Foster was released on September 1, 1995. Piano Concerto No. 1 in E Minor: I. Allegro patetico appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Sauer & Scharwenka: Piano Concertos (Hyperion Romantic Piano Concerto 11)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Piano Concerto No. 1 in E Minor: I. Allegro patetico is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 1 in E Minor: I. Allegro patetico by Emil von Sauer, Stephen Hough, City Of Birmingham Symphony Orchestra, Lawrence Foster having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto gregoriano, P. 135: I. Andante tranquillo | Ottorino Respighi, Sir Edward Downes, BBC Philharmonic Orchestra, Lydia Mordkovitch | F Major | 0 | 7B | 130 BPM | ||
Indiana Jones and the Raiders of the Lost Ark: Marion's Theme | Danish National Symphony Orchestra, Christian Schumann | C Minor | 2 | 5A | 89 BPM | ||
The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
Concert Studies: No. 4. Octaven-Etude in E Major | Emil von Sauer, Oleg Marshev | C Major | 2 | 8B | 111 BPM | ||
Violin Concerto: I. Allegro vivo | Steve Elcock, Zoë Beyers, Kenneth Woods, English Symphony Orchestra | C Major | 2 | 8B | 113 BPM | ||
Cinderella Suite, Op. 87: Act I: Introduction | Sergei Prokofiev, Leonard Slatkin, St. Louis Symphony | F Major | 0 | 7B | 86 BPM | ||
Symphony No. 4, Op. 90, "Italian": IV. Saltarello. Presto | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Copland: Suite from Appalachian Spring: III. The Bride and Her Intendend. Moderato (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | B♭ Major | 1 | 6B | 61 BPM | ||
Concert Studies: No. 21. Etude Chromatique in F-Sharp Major | Emil von Sauer, Oleg Marshev | C Major | 1 | 8B | 61 BPM | ||
African Suite: V. Akinla | Fela Sowande, Menuhin School Senior Orchestra, Otis Enokido-Lineham | A Major | 2 | 11B | 59 BPM |
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