Funeral Sentences For Queen Mary: Man That Is Born Of A Woman - Timothy Brown, Robert Howes, Jonathan Brown, Jenny Ward-Clarke, Liz Kenny, Andrew Manze, Nicholas Parker, Tim Handley, Crispian Steele-Perkins, Baroque Brass Of London, Henry Purcell, Jan Schlapp, Keri Dexter, Micheal Laird, Ron Bryans, William Carter, Mark Bennet, Tim Handley, Nicholas Parker, Marshall Marcus, Choir of Clare College, Cambridge Information

Acousticness: 96%
Danceability: 16%
Energy: 1%
Instrumentalness: 13%
Liveness: 7%
Loudness: 42%
Speechiness: 4%
Valence: 5%
Popularity: 0%
Loudness: -34.783 dB

Summary

"Funeral Sentences For Queen Mary: Man That Is Born Of A Woman" by Timothy Brown, Robert Howes, Jonathan Brown, Jenny Ward-Clarke, Liz Kenny, Andrew Manze, Nicholas Parker, Tim Handley, Crispian Steele-Perkins, Baroque Brass Of London, Henry Purcell, Jan Schlapp, Keri Dexter, Micheal Laird, Ron Bryans, William Carter, Mark Bennet, Tim Handley, Nicholas Parker, Marshall Marcus, Choir of Clare College, Cambridge was released on December 20, 2006. The duration of Funeral Sentences For Queen Mary: Man That Is Born Of A Woman is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Funeral Sentences For Queen Mary: Man That Is Born Of A Woman's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Sacred Music, Dioclesian Songs Part: 1". In this album, this song's track order is #9. Funeral Sentences For Queen Mary: Man That Is Born Of A Woman is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Funeral Sentences For Queen Mary: Man That Is Born Of A Woman BPM

With Funeral Sentences For Queen Mary: Man That Is Born Of A Woman by Timothy Brown, Robert Howes, Jonathan Brown, Jenny Ward-Clarke, Liz Kenny, Andrew Manze, Nicholas Parker, Tim Handley, Crispian Steele-Perkins, Baroque Brass Of London, Henry Purcell, Jan Schlapp, Keri Dexter, Micheal Laird, Ron Bryans, William Carter, Mark Bennet, Tim Handley, Nicholas Parker, Marshall Marcus, Choir of Clare College, Cambridge having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Funeral Sentences For Queen Mary: Man That Is Born Of A Woman Key

This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
El grillo	Josquin des Prez, The Hilliard Ensemble, Paul Hillier	D♭ Major	2	3B	117 BPM
When David Heard	Thomas Tomkins, Choir of Clare College, Cambridge, Timothy Brown	C Major	2	8B	86 BPM
Chichester Psalms: Psalm 2, vv. 1-4 & Psalm 23 vv. 1-6. Andante con moto, ma tranquillo	Leonard Bernstein, Choir of Clare College, Cambridge, Timothy Brown, Lawrence Zazzo, Rachel Masters, The Wallace Collection	D Minor	2	7A	87 BPM
O Priase the Lord	Adrian Batten, Choir of Clare College, Cambridge, Timothy Brown	F♯ Minor	1	11A	61 BPM
Deborah, HWV 51: Part I: Chorus - Let thy deeds be glorious	George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini	A Minor	0	8A	172 BPM
Dido and Aeneas, Z. 626: Overture	Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble	B Minor	2	10A	91 BPM
Glory to thee	James Whitbourn, Robert Tear, John Harle, Joby Burgess, John Reid, Timothy Brown, Choir of Clare College, Cambridge	B Minor	2	10A	128 BPM
Quintetto No. 4 in Re Maggiore "Fandango" per Corda e Chitarra, G. 448: Allegro Maestoso	Luigi Boccherini, Jordi Savall, Rolf Lislevand, Le Concert Des Nations	A Major	1	11B	147 BPM
Ecce prandium	Jan Pieterszoon Sweelinck, Timothy Brown, Choir of Clare College, Cambridge, Cambridge	D Major	1	10B	93 BPM
All-night Vigil, Op. 37, "Vespers": Hail, O Virgin Mother (Ave Maria)	Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava	F Major	0	7B	139 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.9727671146392822

End: 0.9782743453979492